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“Your Voice Is Already There” – Finding Yourself in Jazz

Close-up of a jazz saxophonist playing a golden saxophone, partially obscured by soft focus in the foreground. The musician wears a denim jacket.

How do you find your own voice in jazz? Martin Jacobsen shares how Kind of Blue sparked his journey, what mistakes taught him on stage, and why limited technique can be a strength. In this interview, he reflects on self-teaching in Copenhagen, the essence of jazz as an aural tradition, and what players can learn from his books Let’s Speak Jazz and Let’s Play Jazz. An inspiring read about intuition, freedom—and trusting your own path.

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From Mingus to Berklee: The Musical Journey of Jazz Bassist Bruce Gertz

A double bassist in a dark suit plays the instrument with both hands. The scene is warmly lit, focusing on the hands and the orange body of the double bass.

Bruce Gertz is a renowned double bassist and has been an influential professor at Berklee College of Music for 48 years. As part of the vibrant Boston jazz scene, he has shaped countless bassists through his personalized teaching methodology that emphasizes building on students' strengths while developing their individual musical voices. What drives a musician who has collaborated with jazz giants like Jerry Bergonzi, Gary Burton, and John Abercrombie? How did Charles Mingus' album "Blues & Roots" transform his musical direction, and why does he still take lessons from legendary bassist Ron Carter after five decades of playing? Gertz shared these insights during our conversation.

Beyond performing, Gertz has released over 15 albums as a leader and many more as a sideman, with his debut album "Blueprint" marking a significant career milestone. His instructional book "Let's Play Rhythm" has become essential reading for aspiring musicians across all instruments. Whether teaching advanced improvisation techniques or advocating for the balance between ensemble and solo bass playing through his work with The International Society of Bassists, Gertz continues to inspire the next generation of jazz musicians.

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AGGREGATE: The Rediscovery of the Organ

Illuminated pipe organ in the Kaiser Wilhelm Memorial Church Berlin, surrounded by an impressive mosaic of blue stained glass windows. View from below, the organ glows in warm light. Photo: Christoph Voy.

Forgotten, dusty, outdated? Not at all! While many have already written off the pipe organ, it is currently experiencing a revolutionary rediscovery – and beyond church walls. With computer-based controls and unexpected soundscapes, Berlin's AGGREGATE Festival demonstrates what the organ is truly capable of.

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Toshio Hosokawa: BBVA Award

Composer Toshio Hosokawa is seated at a desk, writing intently with a pencil on sheet music. He wears black-framed glasses and a dark sweater over a striped-collar shirt. In the background, a bookshelf filled with sheet music and books is visible.

Toshio Hosokawa will receive the 17th Frontiers of Knowledge Award in the category Music and Opera from the Banco Bilbao Vizcaya Argentaria (BBVA) Foundation. The awards have been presented annually since 2008 in eight different categories, recognising achievements in fields such as basic research, ecology and computer science. Each winner receives a prize of 400,000 Euros. The awards ceremony will take place in Bilbao on June 18, 2025. Previous winners in the Music and Opera category include Pierre Boulez, Sofia Gubaidulina, Arvo Pärt and Peter Eötvös.

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NEW ALBUM BY SEBASTIAN STERNAL AND THE FRANKFURT RADIO BIG BAND

Experimental piano meets orchestral big band: Sebastian Sternal and the Frankfurt Radio Big Band break new ground on their album Turning Point. Genre-crossing Sebastian Sternal has written music for the Frankfurt Radio Big Band that sounds almost classical while retaining the freedom of jazz. In each piece, the musicians celebrate the rules of their art at the highest level by breaking them with relish. A feast of sounds for discerning music lovers of all genres.

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Composer Edmund Finnis Joins Schott Music

Schott Music is very excited to announce that British composer Edmund Finnis has signed an agreement to join the publishing house’s international roster of composers. Finnis’ music has been praised as “ethereally beautiful”, “bewitching” and “iridescent” by performers and the press over a career that has seen him establish close and long-lasting musical relationships with many high-profile performers.

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