Metamorphosen
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“Metamorphosen” is the first of ten CDs in the Enjott Schneider edition released by WERGO: Many of Enjott Schneider’s compositions refer to well-known works from music history or to the idiomatic stylistic tendencies of individual composers, in order to then create something new through metamorphosis as a creative response to tradition. It is a play with cultural sediments, a subjective commentary on existing forms and models. In this sense, the four compositions on this CD all refer to four historical models:
“At the Edge of Time” is an homage to Wolfgang Amadeus Mozart. Out of gestures and motifs from his Requiem, there arises a web of emotions melodically held together by the solo English horn, the traditional instrument of death and otherworldly lamentation.
“Ein ewig Rätsel will ich bleiben” [I wish to remain an eternal riddle] was composed for the 125th anniversary of the death of the Bavarian fairy-tale king Ludwig II. The piece combines the idioms of Richard Wagner with a free musical narrative style so that it is often unclear to the listener whether it is “still Wagner or already Schneider”.
“Ein feste Burg” [A Mighty Fortress] was conceived as a companion piece to Felix Mendelssohn’s Reformation Symphony. In terms of melody, the works refers to Martin Luther’s militant chorale (written around 1529) which, with its radiant C major, embodies the Protestant spirit and the character of the Lutheran Reformation like no other music. The symphonic poem lets the richly symbolic melody grow out of dark and magical textures; it is interwoven with other themes and increasingly evokes – in the midst of the turbulent textures of the orchestra – some of the fighting spirit with which this music was originally associated.
“Florestan & Eusebius”is a one-movement work for orchestra that depicts Schumann’s psychic fragmentation into a schizophrenic dual personality that led to his final days in the mental asylum at Endenich: Florestan is the vital and energetic youth; Eusebius is the soft and almost feminine poet.
Content
Ein ewig Rätsel will ich bleiben. Ein Ludwig II-Epitaph. Concert for English horn, strings and bassoon
Ein feste Burg ist unser Gott. Symphonic poem for orchestra
Florestan & Eusebius. Robert Schumann's thoughts for orchestra
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With over 600 soundtracks and numerous awards to his name Enjott Schneider is one of the leading German composers of film music. His music for Schlafes Bruder, Stalingrad, Herbstmilch and many other films will never be forgotten. Schneider’s compositional output also includes full-length operas, oratorios, symphonies and concertos alongside chamber music, sacred works and organ music. Wergo offers its heartfelt congratulations to Enjott Schneider on the occasion of his 75th birthday!