
Bernd Alois Zimmermann
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About Bernd Alois Zimmermann
It is of greater significance that Zimmermann possessed a much higher differentiated musical perception and awareness than most of the composers of his time, that he was able to compose intensively ‘heard-through’ cantilenas and that he had a highly sensitive feeling for when to stand still and then continue, when to pause, when to surprise and when to consolidate. (Karlheinz Stockhausen)
Bernd Alois Zimmermann was born on 20 March 1918 in Bliesheim near Cologne. He attended the Salvatorianer College Steinfeld in der Eifel from1929 to 1936. After having passed his Abitur [higher education entrance examination], he initially commenced a primary teacher training course in 1937, but transferred a year later to the Hochschule für Musik in Cologne to study school music, music theory and composition with Heinrich Lemacher and Philipp Jarnach. In 1939, Zimmermann was drafted into military service and returned from the front three years later due to illness. He then completed his musical studies in 1947 with the music teacher examination. In 1948, Zimmermann first attended the Darmstadt Summer courses for new music, coming into contact with Wolfgang Fortner und René Leibowitz; at the same time, his Concerto for Orchestra (2nd version 1948) was first performed in Darmstadt. For financial security, Zimmermann arranged light and film music in the 1950s and composed music for school radio programmes. Zimmermann was elected as the president of the German section of the IGNM in 1956, but relinquished the post a year later after having been unsuccessful in uniting the composers of the older and younger generations. In the early summer of 1957, he was the first German composer to receive a scholarship for the Villa Massimo in Rome where he began work on the opera Die Soldaten. From 1957 onwards, he supervised a composition class and seminar for film and radio music at the Musikhochschule in Cologne. The composer devoted the final years of his life to work on the Requiem for a young poet which was given its first performance in 1969. On 10 August 1970, Zimmermann took his own life in Groß-Königsdorf near Cologne.
Although the size of his musical oeuvre is relatively small, Zimmermann occupies a key position in the history of German post-war music. He not only immersed himself in serial music and the strict concept of the Darmstadt avant-garde, but also combined these influences in a highly original manner with elements of jazz and quotations from historical compositions, thereby intriguingly anticipating the core concepts and techniques of so-called post-modernism. Zimmermann’s oeuvre includes compositions for orchestra - a Symphony (2nd version, 1953), a variety of ballet works and solo concertos - vocal works, chamber music and solo literature and electronic magnetic tape music. The Requiem for a young poet (1967/1969) can be viewed as a showcase for Zimmermann’s compositional development. The work is scored for large-scale forces including narrator, soloists, three choirs, electronic sounds, orchestra, jazz combo and organ. The texts selected by the composer range from political speeches, reports and liturgies to poems by Majakowski, Joyce, Pound, Camus, Schwitters und Bayer. The boundaries of the oratorio are pushed back towards the direction of radio play, reportage and features.
Zimmermann developed the concept of “pluralistic tonal composition” with the Sonata for cello solo (1960) and the Dialogues for 2 pianos and orchestra (2nd version, 1965). The superimposition of a variety of metres and rhythms produces a box form with differing time levels; quotations were also added. In the opera Die Soldaten (1957-1965), the technique of simulation was the central starting point (“sphericity of time”). The literary text, the play by J.M.R. Lenz, already splits open the unity of space and time: the various plot lines run parallel to each other. Zimmermann left the text of the play almost unaltered – elements of the text are additionally superimposed in a collage technique. The planned first performance of Die Soldaten in 1960 was initially postponed as the work was considered to be unplayable. The opera finally experienced its premiere at the Städtische Bühnen in Cologne in 1965: a sensational success which has continued up to the present day.
Zimmermann received a number of prizes, including the north Rhine-Westphalia Grand Art Prize (1960) and the Art Prize from the City of Cologne (1966). In 1965, Zimmermann was appointed as a member of the Academy of the Arts in Berlin.
Worklist
Gallery



Chronology
Began training as elementary school teacher in the winter term in Bonn
Began music teachers' course at Cologne Conservatory
First performance of "Concerto for Orchestra" (1st version)
First dodecaphonic composition (2nd movement of the "Violin Concerto")
"Exerzitien" (2nd part of "Enchiridion"), "Symphony in One Movement" (1st version)
First performance of "Oboe Concerto" by Hans Rosbaud at Donaueschingen
"Cello Concerto" (later re-written as "Conto di speranza")
First performance "Canto di speranza" by Siegfried Palm
Composed "Cello Sonata", "Dialogues" (1st version), new thoughts on planned oratorio
Contact with Paul Pörtner
Awarded the "Kunstpreis" of the city of Cologne
Further work on the oratorio
Began a new opera project "Medea" (after Hans Henny Jahnn)
"Tratto I"
Products
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Composer: Bernd Alois ZimmermannArranger: Bernd Alois ZimmermannMedia Type: Sheet musicEdition: Score and partsInstrumentation: piano and string quintet (2 violins, viola, cello and double bass)Product number: ED 9126€30.50Incl. Tax, Excl. Shipping
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Caprichos BrasileirosComposer: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance material
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aus „Konzert für Orchester“, 1. FassungComposer: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: Orchestra
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Two alternative movements for the second movement of the "Kleine Suite" for violin and pianoComposer: Bernd Alois ZimmermannSeries: Edition Schott
Instrumentation: violin and pianoProduct number: ED 21335As low as€9.99Incl. Tax -
für Orchester bearbeitet von Bernd Alois ZimmermannComposer: Modest MoussorgskyArranger: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: orchestra
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Zu den Hörspielmusiken von Winfried Zillig und Bernd Alois ZimmermannComposer: Bernd Alois ZimmermannAuthor: Silke HilgerMedia Type: BookSeries: Writings from Cologne about New Music, Vol. 5
Language: GermanProduct number: ED 8312€54.00Incl. Tax, Excl. Shipping -
(Deutsches Volkslied)Composer: Bernd Alois ZimmermannEdition: Choral scoreSeries: Schott Choral Music
Instrumentation: mixed choir (SATB)Product number: C 47825As low as€1.99Incl. Tax -
für Sopran und Orchester bearbeitet von Bernd Alois Zimmermann (1950)Composer: Bernd Alois ZimmermannArranger: Jean-Baptiste Weckerlin | Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: soprano and orchestraLanguage: French
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List of Published Works€0.00Incl. Tax, Excl. Shipping
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Original Compositions and Arrangements for OrchestraComposer: Ferruccio Busoni | Alfredo Casella | Antonín Dvořák | Paul Haletzki | Zoltán Kodály | Franz Liszt | Darius Milhaud | Modest Moussorgsky | Edmund Nick | Sergei Wassiljewitsch Rachmaninoff | Cyril Scott | Friedrich Smetana | Heitor Villa-Lobos | Bernd Alois ZimmermannArranger: Bernd Alois ZimmermannInterpreter: Sarah Wegener | Marcus Weiss | Ueli WigetConductor: Heinz HolligerMedia Type: 3 CDsProduct number: WER 73872€39.50Incl. Tax, Excl. Shipping
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Verzeichnis der musikalischen Werke von Bernd Alois Zimmermann und ihrer QuellenComposer: Bernd Alois ZimmermannAuthor: Heribert HenrichMedia Type: BookLanguage: GermanProduct number: ED 20767€106.00Incl. Tax, Excl. Shipping
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Ausstellungskatalog Nr. 152 der Akademie der Künste 1989Composer: Bernd Alois ZimmermannEditor: Klaus EbbekeMedia Type: BookLanguage: GermanProduct number: BAZ 1001€17.95Incl. Tax, Excl. Shipping
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for orchestraComposer: Edmund Nick | Bernd Alois ZimmermannArranger: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: orchestra
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aus "Alagoana"Composer: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: orchestra
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Concertos for Flute and Orchestra G major KV 313 and D-major KV 314 by W. A. MozartComposer: Bernd Alois ZimmermannSeries: Cadenza, Vol. 10
Instrumentation: fluteProduct number: ED 21448As low as€7.99Incl. Tax -
CantataComposer: Bernd Alois ZimmermannEdition: Study scoreSeries: Music Of Our Time
Canto di speranza
Instrumentation: cello and small orchestraProduct number: ED 4588As low as€17.99Incl. Tax -
Kantate für Violoncello und kleines OrchesterComposer: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: cello and small orchestra
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CantataComposer: Bernd Alois ZimmermannMedia Type: Sheet musicEdition: Solo part, celloSeries: Canto di speranza
Instrumentation: cello and small orchestraProduct number: ED 6986€16.00Incl. Tax, Excl. Shipping -
for orchestraComposer: Antonín Dvořák | Bernd Alois ZimmermannArranger: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: orchestra
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für OrchesterComposer: Bernd Alois ZimmermannArranger: Bernd Alois ZimmermannMedia Type: Hire/performance materialEdition: Performance materialInstrumentation: orchestra