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Three Two Part Inventions

Urtext + Facsimile - New Edition
Edited from the sources by Ulrich Leisinger. Fingerings by Oswal Jonas.
piano
Product number: UT51026
Edition: Urtext
€11.50
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Product Type
Print edition
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Product Details

Description

As in his days, Johann Sebastian Bach's Inventions form an integral part of the piano teaching literature even today. The three selected examples with facsimile give an insight into Bach's teaching workshop and his aim to teach his pupils 'to cultivate a cantabile style of playing and to gain from the beginning a strong foretaste of composition'. The edited musical text of the new edition is based on the revision of all inventions and symphonies of the composer presented by Ulrich Leisinger in 2007.

Content

Inventio 1 (BWV 772)
Inventio 6 (BWV 777)
Inventio 8 (BWV 779)

More Information

Title:
Three Two Part Inventions
Urtext + Facsimile - New Edition
Edited from the sources by Ulrich Leisinger. Fingerings by Oswal Jonas.
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT51026
ISMN13:
979-0-50057-338-8
ISBN13:
978-3-85055-715-3
UPC:
800522002762
Weight:
0,08 kg
Pages:
16
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
J.S. Bach -- Two Part Inventions No.1 -- BWV 772

More from this series

Vienna Urtext Edition and facsimile
Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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