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Piano Sonata A minor

Edited from the autograph and the first edition
Urtext
piano
Product number: UT51024
Edition: Urtext + facsimile
€18.50
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

This new edition contains the facsimile of the entire Mozart autograph, plus the musical text newly edited by Ulrich Leisinger, who drew upon the autograph and the first edition as found in the first volume of the new Wiener Urtext edition of Mozart's piano sonatas (UT 50226). The editor's decisions can be followed in the critical annotations as well as, perhaps even more importantly, in the direct comparison with the original manuscript. The edited musical text with fingerings, tried and tested page turns and a clear engraving offers a very convenient basis for practical use. The preface gives information about the work’s origins and the autograph’s eventful history.

More Information

Title:
Piano Sonata A minor
Edited from the autograph and the first edition
Urtext
Edition:
Urtext + facsimile
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
KV 310
Key:
A minor
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT51024
ISMN13:
979-0-50057-283-1
ISBN13:
978-3-85055-651-4
UPC:
800522002175
Weight:
0,18 kg
Pages:
38
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Vienna Urtext Edition and facsimile
Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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