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Rondo D major

Based on the sources of Ulrich Leisinger, fingering by Hans Kann
New edition
piano
Product number: UT51022
Edition: Urtext
€15.95
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

The new edition contains the facsimile of Mozart's complete autograph as well as the score, newly edited by Ulrich Leisinger in accordance with the autograph and first edition, on the basis of the new Wiener Urtext edition of Mozart's piano pieces, vol. 2 (UT 50230) including Critical Report. The decisions of the editor are understandable not only with the help of the Critical Notes but also by comparison with the original manuscript. Thanks to the fingerings, tested page turns and a clear print format, the edited score offers maximum comfort for the performance practice.

More Information

Title:
Rondo D major
Based on the sources of Ulrich Leisinger, fingering by Hans Kann
New edition
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Directory:
K 485
Key:
D major
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT51022
ISMN13:
979-0-50057-281-7
ISBN13:
978-3-85055-646-0
UPC:
800522002151
Weight:
0,09 kg
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Vienna Urtext Edition and facsimile
Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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