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French Suite No. 5

Edited from autograph and manuscript copies
Urtext
piano
Product number: UT51011
Edition: Urtext + facsimile
€18.50
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

The edition is supplemented with a facsimile of the autograph. As well as being a bibliophile´s delight, the edition also offer the opportunity to study the composer´s own manuscript in all its details. The most subtle nuances, which can only be represented in musical handwriting and never in print, can thus provide a logical extension of the typographical limitations of engraving, and convey additional stimuli for consideration of the interpretation of the work.

Content

Suite und Faksimilie

More Information

Title:
French Suite No. 5
Edited from autograph and manuscript copies
Urtext
Edition:
Urtext + facsimile
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 816
Key:
G major
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT51011
ISMN13:
979-0-50057-152-0
ISBN13:
978-3-85055-650-7
Weight:
0,14 kg
Pages:
29
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Französische Suite 5

More from this series

Vienna Urtext Edition and facsimile
Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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