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Symphony No 6

Shostakovich's Symphony No 6 opens with an expansive, introverted Largo followed by a short Scherzo and a brilliant “music hall gallop”, which the composer considered the most accomplished piece of the symphony.

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Work of the Week – Mikis Theodorakis: Zorbas Suite

Joie de vivre across all borders: the Turkish premiere of Mikis Theodorakis' Zorbas Suite will take place in Ankara on 11 October 2024. The version for flute and orchestra will be performed in the Ziraat Bankası Ana Salon of the CSO Ada cultural campus. The solo part will be performed by Yubeen Kim, accompanied by the Cumhurbaşkanlığı Senfoni Orkestrası under the direction of Wilson Ng. 

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Benedictus

Perennial Karl Jenkins favourite Benedictus in the male-voice version featured on the best-selling EMI Classics recording This Land of Ours, performed by Cantorion and Cory Band.

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Work of the Week – Carl Orff: Trionfi

A monumental event: the Hamburg State Opera will stage Carl Orff's triptych Trionfi on 21 September 2024. The production will be directed by Calixto Bieito and conducted by Kent Nagano.

The Carmina Burana with their mighty O Fortuna choirs are undoubtedly one of the most famous musical works of the modern era. However, the performance as a ‘Trittico teatrale’, i.e. as a combination of the three works Carmina Burana, Catulli Carmina and Trionfo di Afrodite, is a rarity on the world's stages. With Trionfi, Carl Orff created a trilogy that searches for new forms of expression for music theatre and moves between the poles of opera, oratorio and cantata. 

Trionfi by Carl Orff: an XXL version of Carmina Burana

The title of the triptych refers back to the so-called Trionfi, the pageants and masquerades in the Italian republics and principalities of the Renaissance: heroes and gods of antiquity and their entourages were traditionally presented in these processions. In Orff's Trionfi, however, it is not a mythical figure that is at the centre of the action, but the world-dominating driving force of love itself is shown in its most diverse facets. In a sense, this driving force is explored by going back to the beginnings of our occidental history: from the Middle Ages back to Roman antiquity, and from there back to ancient Greece.

From a monastery text via Catullus to the Greek poet Sappho: Orff's enthusiasm was ignited by her timeless love poetry. However, as only fragments of this poet have survived, Orff felt compelled to mould lyrical fragments, individual stanzas and short verses into a whole. In contrast to the visually powerful Carmina Burana and the action-packed Catulli Carmina, the Trionfo di Afrodite is a ‘scenic concerto’ based primarily on words and music. (Johannes Schindlbeck, Orff Centre Munich)

Trionfi will be performed in a total of six performances at the Hamburg State Opera until 12 October 2024. This rarity is not to be missed. 

 

Further Reading:

Carl Orff: composer profile https://www.schott-music.com/en/person/carl-orff

Trionfi: work details and online score https://www.schott-music.com/en/trionfi-no250853.html 

Website Hamburg State Opera https://www.staatsoper-hamburg.de/en/schedule/event.php?AuffNr=210249

 

photo: Andrii Yalanskyi

Work of the Week – Richard Ayres: No. 57 (K's Strange Day)

From the background to the limelight: Richard Ayres' work No. 57 (K's Strange Day) for solo timpani and orchestra will be premiered in Helsinki on 4 September 2024. The YLE Radio Symphony Orchestra will perform at Musiikkitalo under the baton of its chief conductor Nicholas Collon.

Ayres wrote his new piece for the orchestra's principal timpanist, Kazutaka Morita. The composer generally uses consecutive numbering for the titles of his pieces, in this case No. 57. The addition (K's Strange Day) can be seen as an allusion to Franz Kafka’s The Trial and the protagonist Josef K. The peculiar thing here is the emergence of the timpani from the background of the orchestra into the limelight. Questions arise: Does the imaginary figure do this voluntarily? In what situation does it find itself? Is she acting or is she subject to the circumstances?

No. 57 (K's Strange Day) by Richard Ayres: Grand entrance for the timpani

For long stretches, Ayres attempts to create a kind of ‘film without images’ in the audience's imagination. The composer has repeatedly been influenced by early cinema and artists such as Charlie Chaplin. There is often a central character around whom the story revolves.

When I was still playing in orchestras, this person seemed to be a mysterious figure sitting alone behind a wall of huge magical cauldrons. He often seemed to lean over the instrument as if he were talking to it. Half musician, half magician. (Richard Ayres)

No. 57 (K's Strange Day) will be performed again in the same place the day after the premiere. The German premiere can be experienced in May 2025 with the Philharmonisches Staatsorchester Mainz. The next world premiere by Richard Ayres will follow on 13 September 2024 in Amsterdam, where the Asko|Schönberg Ensemble will present Ayres' homage to the current Anton Bruckner year, which is logically entitled No. 58 (Bruckner)

 

Further Reading:

Richard Ayres: Composer Profile

No. 57 (K's Strange Day): Work Details and Online Score 

Website YLE Radio Symphony Orchestra

 

photo: Miguel Chamorro / Adobe

Alexander Goehr (1932–2024)

It is with great sadness that we announce the death of Alexander Goehr at the age of 92. Distinguished composer and teacher, Goehr’s substantial impact on contemporary music in Britain and abroad is perceptible through his significant compositional output as well as the many noteworthy composers whom he taught. Sandy (to all who knew him) passed away on 26 August 2024.

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