• Joy of Music – Over 250 years of quality, innovation, and tradition
Lieferzeit
2-3 Tage

Violin Sonatas I

Vol. 1 | Edited after sources by Ulrich Leisinger
Fingerings and Notes on interpretation by Ariadne Daskalakis (Violin) and Christian Ubber (Piano)
Product number: UT50154
Edition: urtext edition
€44.95
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

Volume 1 of Beethoven’s Sonatas for violin and piano includes the Three Sonatas Op. 12 composed around 1797/98 as well as the Sonatas Opp. 23 and 24 composed in 1800, the latter later becoming known under the epithet "Spring Sonata". Right from the start, Beethoven’s violin sonatas are duets for two equal partners. Musically, they are of different characters and are in no way inferior to the piano sonatas in terms of invention and boldness, both formally and harmonically. The new edition is based on all surviving original sources, plus the carefully edited reprints by Simrock. In the edition, plausible divergences between the two instruments (e.g. in the slurring) were retained; unsubstantiated adjustments were deliberately avoided. The notes on interpretation trace the essential aspects of performance practice from Beethoven’s time, both from a violinistic and from a pianistic point of view.

More Information

Title:
Violin Sonatas I
Vol. 1 | Edited after sources by Ulrich Leisinger
Fingerings and Notes on interpretation by Ariadne Daskalakis (Violin) and Christian Ubber (Piano)
Language:
German
Edition:
urtext edition
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 12, op. 23, op. 24
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50154
ISMN13:
979-0-50057-422-4
ISBN13:
978-3-85055-801-3
Weight:
0,86 kg
Pages:
232
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

Reviews

Be the first to review this product.