Primarily, Djordjević focuses on an extreme and exhaustive exploration of the musical material. In the booklet Barbara Eckle points out Djordjević’s specific approach: ‘She develops a material component further and further in an increasingly large, loud and dense wave, distorting it, perverting it, multiplying it, squeezing out of it everything it has to give – until it implodes. The rupture is sudden and abrupt, as if the plug of an electronic appliance were ripped from a wall socket.’ Also essential for Djordjević’s work is an interdisciplinary perspective, which is based on a diversified aesthetic socialisation, influencing her music in different ways. Each compositional process finally creates musical figures, which, at the same time, affect psyche and ratio.
All pieces have been especially recorded at Deutschlandfunk in Cologne by internationally well-known interpreters such as Arditti Quartet, Ensemble Musikfabrik and Teodoro Anzellotti.
co-production: Deutschlandfunk Deutscher Musikrat gemeinnützige Projektgesellschaft mbH
Phosphorescence for horn, trumpet and bass trombone (2014)
… würde man denken: Sterne for accordion solo (2015)
How to evade? for oboe and violin (2011)
Do you know how to bark? non-communication for solo contrabass ver. 2.1.1 (2010/11)
Manje te u majke groze for soprano, bass clarinet, accordion, violin, viola and violoncello (2011)
FAIL for violoncello and live-electronic (2010)
In its renowned Contemporary Music Edition the German Music Council set itself the task of creating a basic listening library of contemporary composition in Germany. The edition is distinguished by the high quality of the performances and of the accompanying texts. It includes recordings by renowned interpreters and ensembles, often under the direction of the composer; the carefully edited booklets present the composers and musicologists in analyses of the works and in aesthetic commentaries. For more information on the composers within the Contemporary Music Edition (including biographies, lists of works and audio samples), please click here.