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Polonaises

Edited from the sources and provided with fingerings and notes on interpretation by Christian Ubber
Fingersätze und Hinweise zur Interpretation von Christian Ubber
piano
Product number: UT50157
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

The polonaises are regarded as one of the most important genres in the compositional oeuvre of Frédéric Chopin, some of them even as some of his most popular compositions. Their spectrum ranges from early works which can even be played by advanced beginners (e.g. Polonaise in B flat major) to demanding concert literature. The new edition of Wiener Urtext Edition is based on all relevant sources: autographs, copyist's copies, engraver's copies, first editions, as well as copies of Chopin's pupils used in their lessons. The edition's preferred main sources are each of the last published first editions which not only contain the last revisions but also provide comfortable, more transparent performance instructions. This is illustrated by the famous Polonaise in A major Op. 40/1 which is presented in the versions of the German and French first editions. Of some early polonaises second versions are included.

More Information

Title:
Polonaises
Edited from the sources and provided with fingerings and notes on interpretation by Christian Ubber
Fingersätze und Hinweise zur Interpretation von Christian Ubber
Edition:
Urtext
Level of difficulty:
intermediate - difficult
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50157
ISMN13:
979-0-50057-411-8
ISBN13:
978-3-85055-790-0
UPC:
800522003486
Weight:
0,77 kg
Pages:
212
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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