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Piano Sonatas

Vol. 2 | Nach den Quellen
Urtext
Product number: UT50428
Edition: Urtext
€45.50
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Product Type
Print edition
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Product Details

Description

The newly revised edition of the piano sonatas by Ludwig van Beethoven in the Vienna Urtext Edition is the only one of the more recent urtext editions that is based on a wide range of sources, including autographs, reviewed copies and first editions, as well as early reprints published during the composer's lifetime and Haslinger's complete edition. This is especially important for those sonatas of which neither autographs nor copies are extant. The edition contains a Critical Report in German and English in which the complex source problems of these sonatas and the editorial decisions are explained in a comprehensible way. This makes the volume an indispensable tool to those studying these outstanding works of piano literature.

Content

Sonaten op. 26, op. 27/1-2, op. 28, op. 31/1-3, op. 49/1-2, op. 53, op. 54, op. 57

More Information

Title:
Piano Sonatas
Vol. 2 | Nach den Quellen
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - difficult
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50428
ISMN13:
979-0-50057-405-7
ISBN13:
978-3-85055-784-9
UPC:
800522003424
Weight:
1,24 kg
Pages:
336
Format:
23cm x 30.5cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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