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Bruce Gertz is a renowned double bassist and has been an influential professor at Berklee College of Music for 48 years. As part of the vibrant Boston jazz scene, he has shaped countless bassists through his personalized teaching methodology that emphasizes building on students' strengths while developing their individual musical voices. What drives a musician who has collaborated with jazz giants like Jerry Bergonzi, Gary Burton, and John Abercrombie? How did Charles Mingus' album "Blues & Roots" transform his musical direction, and why does he still take lessons from legendary bassist Ron Carter after five decades of playing? Gertz shared these insights during our conversation.

Beyond performing, Gertz has released over 15 albums as a leader and many more as a sideman, with his debut album "Blueprint" marking a significant career milestone. His instructional book "Let's Play Rhythm" has become essential reading for aspiring musicians across all instruments. Whether teaching advanced improvisation techniques or advocating for the balance between ensemble and solo bass playing through his work with The International Society of Bassists, Gertz continues to inspire the next generation of jazz musicians.

Zimmermann’s haunting protest piece, performed in Slovenia for the first time – discover why it still resonates so deeply.

Wagner’s Parsifal returns to Goetheanum Dornach (Switzerland) in April – with the Schott edition, a star cast and a new book exploring the production.

Vladimir Horowitz’s "Waltz in F Minor" is a captivating original composition from the early years of his career. Written in the 1920s and recorded from a piano roll in 1928, this work combines a light and elegant character with expressive depth, showcasing the composer's lyricism and effortless virtuosity.

Vladimir Horowitz’s popular transcription of Mendelssohn’s Wedding March is now available in an official edition for the first time. This transcription showcases Horowitz’s exceptional ability to blend virtuosic technical brilliance with lyrical elegance, resulting in a captivating and dynamic piece.

This exceptional collection presents a selection of works by Georg Friedrich Händel, offering pianists the chance to explore some of his most beloved compositions. Edited by Hans-Günter Heumann, this edition includes fingerings and metronome suggestions to guide students through each piece, making it a valuable teaching and performance resource.

French composer Mélanie Bonis captures the charm and imagination of childhood in her delightful collection of miniature pieces for piano, "Album pour les tout-petits". Edited by Melanie Spanswick, this edition includes carefully considered fingerings, tempo and pedalling suggestions, as well as expert performance tips to support developing musicians.

Edited by Beverley Ellis, this edition brings new life to the work of Sebastian Lee, one of the 19th century’s most esteemed cello pedagogues. His "12 Études-Caprices Caractéristiques", Op. 100, offers a collection of expressive and technically rewarding études for advanced cellists.

Best-selling author Frank Doll ("Fretboard Theory, Rhythm on Guitar") breaks down the pentatonic scale, providing a structured guide through this broad filled using clear explanations, practical exercises and audio downloads with backing tracks for practice.

Written by professional double bassist and pedagogue Cathy Elliott, this revised volume of "Grade by Grade Double Bass: Grade 2" features a carefully curated collection of pieces and arrangements from composers such as Serge Prokofieff, Christopher Norton and Peter Wastall. With audio downloads, aural awareness resources and advice regarding leading examination boards, this volume is a comprehensive resource for developing musicians.