Tagged with 'OMNI Music Publishing'

For those who have been following the publications of OMNI Music Publishing, the appeal of the series extends well beyond collecting. These volumes are working documents: resources for analysis, orchestration study, and a direct window into the craft of film scoring. With the editions of Jerome Moross’s The Big Country (1958) and Marc Shaiman’s South Park: Bigger, Longer & Uncut (1999), now available from Schott Music, OMNI adds two scores that could hardly be more different on the surface, yet both demonstrate how profoundly music can shape a film's identity.