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24 Preludes
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Prelude 10 cis-Moll op. 28,10
Prelude 1 C-Dur op. 28,1
Prelude 13 Fis-Dur op. 28,13
Prelude 20 c-Moll op. 28,20
Prelude 22 g-Moll op. 28,22
Prelude 24 d-Moll op. 28,24
Prelude 3 G-Dur op. 28,3
Prelude 4 e-Moll op. 28,4
Prelude 5 D-Dur op. 28,5
Prelude 23 F-Dur op. 28,23
Prelude 7 A-Dur op. 28,7
Prelude 19 Es-Dur op. 28,19
Prelude 9 E-Dur op. 28,9
Prelude 6 h-Moll op. 28,6
Prelude 11 H-Dur op. 28,11
Prelude 2 a-Moll op. 28,2
Prelude 14 es-Moll op. 28,14
Prelude 15 ("Regentropfen-Prelude") Des-Dur op. 28,15
Prelude 16 b-Moll op. 28,16
Prelude 21 B-Dur op. 28,21
Prelude 18 f-Moll op. 28,18
Prelude 12 gis-Moll op. 28,12
Prelude 17 As-Dur op. 28,17
Prelude 8 fis-Moll op. 28,8
Prelude 10 cis-Moll op. 28,10
Prelude 1 C-Dur op. 28,1
Prelude 13 Fis-Dur op. 28,13
Prelude 20 c-Moll op. 28,20
Prelude 22 g-Moll op. 28,22
Prelude 24 d-Moll op. 28,24
Prelude 3 G-Dur op. 28,3
Prelude 4 e-Moll op. 28,4
Prelude 5 D-Dur op. 28,5
Prelude 23 F-Dur op. 28,23| Prelude 7 A-Dur op. 28,7
Prelude 19 Es-Dur op. 28,19
Prelude 9 E-Dur op. 28,9
Prelude 6 h-Moll op. 28,6
Prelude 11 H-Dur op. 28,11
Prelude 2 a-Moll op. 28,2
Prelude 14 es-Moll op. 28,14
Prelude 15 ("Regentropfen-Prelude") Des-Dur op. 28,15
Prelude 16 b-Moll op. 28,16
Prelude 21 B-Dur op. 28,21
Prelude 18 f-Moll op. 28,18
Prelude 12 gis-Moll op. 28,12
Prelude 17 As-Dur op. 28,17
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Preludes
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Standard works of music literature in the original text
The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):
Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.
In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.
