Wolfgang Fortner
Pays d'origine:
Allemagne
Date d'anniversaire:
12 octobre 1907
Date de décès:
5 septembre 1987
À propos de Wolfgang Fortner
Wolfgang Fortner was born in Leipzig on 12 October 1907. He learnt piano and organ at school and attended many concerts at the Leipzig Konzertverein which exclusively performed contemporary music. In 1927, Fortner began to study composition with Hermann Grabner and organ with Karl Straube at the Leipzig Conservatoire. At the same time, he studied musicology with Theodor Kroyer as well as philosophy and German philology at the University of Leipzig; in 1931, he qualified as a teacher and took a position at lecturing in composition and music theory at the Evangelisches Kirchenmusikalisches Institut in Heidelberg where he taught intermittently until 1954. He then served as a professor of composition at the Detmold Nordwestdeutsche Musikakademie until 1957 and at the Freiburg Staatliche Hochschule für Musik from 1957 until 1973, setting up the Institute for New Music there in 1964. Another important station of his extensive teaching activities was the Darmstadt International Summer Course for New Music, founded in 1946, over which Fortner had considerable influence until the late fifties.
As one of the most important composition teachers in post-war Germany and as a result of his numerous international guest lectures, Fortner had a strong influence on a younger generation of composers. Among his pupils were Hans Werner Henze, Milko Kelemen, Rudolf Kelterborn, Arghyris Kounadis, Nam June Paik, Robert HP Platz, Rolf Riehm, Wolfgang Rihm, Manfred Stahnke, Wilfried Steinbrenner, Hans Zender, and Bernd Alois Zimmermann.
In 1935 Fortner founded the Heidelberg Chamber Orchestra and in conjunction with South German Radio set up the concert series musica viva in 1947. He succeeded Karl Amadeus Hartmann in becoming director of the musica viva concerts of the Bavarian Radio in Munich, and together with Ernst Thomas ran the series until 1978.
In 1950 Wolfgang Fortner was appointed a member of GEMA’s advisory board. In 1955 he became a member of the Berlin Academy of the Arts, and a year later a member of the Bavarian Academy of Fine Arts in Munich. In addition, he served for 14 years (1957-71) as president of the German section of the International Society for New Music. In 1975, the German Dramatists' Union, Germany's oldest writers' federation, elected him president.
As early as 1929, whilst still a student, Fortner concluded a contract for Die vier marianischen Antiphonen which marked the beginning of his professional relationship with Schott. His opera Bluthochzeit after Federico García Lorca (world premiere in Cologne in 1957) became one of the most successful operas after 1945. Fortner's development as a composer ranges from the beginnings of neoclassicism via the application of serial techniques, the incorporation of structures of the medieval isorhythmical motet (Machaut-Balladen, 1973), jazz elements (e.g. in Mouvements, 1953) or orchestral improvisations (In seinem Garten liebt Don Perlimplín Belisa, Elisabeth Tudor) to his last opera That Time after Samuel Beckett (world premiere in Baden-Baden in 1977) in which he used live electronics.
The ballet Carmen-Bizet-Collagen was written by Fortner (in collaboration with Wilfried Steinbrenner) in 1970, based on an idea by the director of the Stuttgart Ballet, John Cranco, who had been inspired to write the libretto by the conciseness of rhythm of Fortner's music.
For his artistic œuvre and his commitment to political and cultural issues, Fortner received numerous honours and awards, including the Schreker Prize of Berlin in 1948, the Spohr Prize of Braunschweig in 1953, the Great Arts Award of North Rhine-Westphalia in 1955, as well as the Bach Prize of Hamburg in 1960, and the Reinhold Schneider Prize of Freiburg in 1977. On the occasion of his 70th anniversary in 1977, he was awarded the Grand Order of Merit of the Federal Republic of Germany and honorary doctorates by the universities of Heidelberg and Freiburg. Furthermore, he was given the Golden Needle of the Dramatists' Union and the Richard Benz Medal of Heidelberg.
Wolfgang Fortner died in Heidelberg on 5 September 1987.
As one of the most important composition teachers in post-war Germany and as a result of his numerous international guest lectures, Fortner had a strong influence on a younger generation of composers. Among his pupils were Hans Werner Henze, Milko Kelemen, Rudolf Kelterborn, Arghyris Kounadis, Nam June Paik, Robert HP Platz, Rolf Riehm, Wolfgang Rihm, Manfred Stahnke, Wilfried Steinbrenner, Hans Zender, and Bernd Alois Zimmermann.
In 1935 Fortner founded the Heidelberg Chamber Orchestra and in conjunction with South German Radio set up the concert series musica viva in 1947. He succeeded Karl Amadeus Hartmann in becoming director of the musica viva concerts of the Bavarian Radio in Munich, and together with Ernst Thomas ran the series until 1978.
In 1950 Wolfgang Fortner was appointed a member of GEMA’s advisory board. In 1955 he became a member of the Berlin Academy of the Arts, and a year later a member of the Bavarian Academy of Fine Arts in Munich. In addition, he served for 14 years (1957-71) as president of the German section of the International Society for New Music. In 1975, the German Dramatists' Union, Germany's oldest writers' federation, elected him president.
As early as 1929, whilst still a student, Fortner concluded a contract for Die vier marianischen Antiphonen which marked the beginning of his professional relationship with Schott. His opera Bluthochzeit after Federico García Lorca (world premiere in Cologne in 1957) became one of the most successful operas after 1945. Fortner's development as a composer ranges from the beginnings of neoclassicism via the application of serial techniques, the incorporation of structures of the medieval isorhythmical motet (Machaut-Balladen, 1973), jazz elements (e.g. in Mouvements, 1953) or orchestral improvisations (In seinem Garten liebt Don Perlimplín Belisa, Elisabeth Tudor) to his last opera That Time after Samuel Beckett (world premiere in Baden-Baden in 1977) in which he used live electronics.
The ballet Carmen-Bizet-Collagen was written by Fortner (in collaboration with Wilfried Steinbrenner) in 1970, based on an idea by the director of the Stuttgart Ballet, John Cranco, who had been inspired to write the libretto by the conciseness of rhythm of Fortner's music.
For his artistic œuvre and his commitment to political and cultural issues, Fortner received numerous honours and awards, including the Schreker Prize of Berlin in 1948, the Spohr Prize of Braunschweig in 1953, the Great Arts Award of North Rhine-Westphalia in 1955, as well as the Bach Prize of Hamburg in 1960, and the Reinhold Schneider Prize of Freiburg in 1977. On the occasion of his 70th anniversary in 1977, he was awarded the Grand Order of Merit of the Federal Republic of Germany and honorary doctorates by the universities of Heidelberg and Freiburg. Furthermore, he was given the Golden Needle of the Dramatists' Union and the Richard Benz Medal of Heidelberg.
Wolfgang Fortner died in Heidelberg on 5 September 1987.
Liste d'œuvres
Galerie
photo: H. Zemann
photo: Peter Andersen
photo: Strobel
For high resolution photos, please contact: infoservice@schott-music.com
Chronologie
1907
Wolfgang Fortner was born on 12 October in Leipzig; he was nine when he first started composing, and had both piano and organ lessons whilst at school.
1927-31
Fortner studied at the Konservatorium in Leipzig (composition with Hermann Grabner, a pupil of Max Reger and organ with Karl Straube), and went on to the University of Leipzig where he studied Musicology with Theodor Kroyer, Philosophy with Hans Driesch and German studies with Hermann August Korff.
1929
5 April: The contract for "Vier Marianische Antiphonen" for choir and orchestra (1928) inaugurated Fortner’s professional relationship with Schott.
1931
Fortner finished his studies as a qualified teacher and became lecturer in composition and music theory at the Evangelische Kirchenmusikalische Institut of the Badische Landeskirche in Heidelberg (today called the Hochschule für Kirchenmusik Heidelberg), a post he holds until 1954 – only interrupted during the war.
1935
Fortner founded the Heidelberg Chamber Orchestra
1946
Fortner and Wolfgang Steinecke (the former culture consultant and director for culture in Darmstadt) participated at the inauguration of the "Kranichsteiner Ferienkurse für Neue Musik" (today the International Holiday Course for New Music Darmstadt); Fortner lectured at the course until the late 50s.
1947
Wolfgang Fortner worked in collaboration with the Süddeutscher Rundfunk in Heidelberg to set up the concert series "Musica Viva"
1948
Schreker Prize, City of Berlin
1950
GEMA invites Fortner to become a member on its advisory council.
1953
Spohr Prize, City of Braunschweig
1954-57
Fortner took a teaching post as Professor for Composition at the Nordwestdeutsche Musikakademie Detmold.
1955
The Academy of Arts Berlin (west) invited Fortner to become a member – he later became chairman for music.
1955
Major Art Prize from Nordrhein-Westfalen
1956
Fortner was invited to become a member of the Bavarian Academy of Fine Art.
1957-73
Fortner took a position as Professor of Composition at the State High School for Music in Freiburg im Breisgau; 1964, the school set up the Institute for New Music at Fortner’s suggestion.
1957-71
Fortner was president of the ISCM (International Society for Contemporary Music).
1960
Bach Prize of the Freie und Hansestadt Hamburg (following Paul Hindemith 1951, Philipp Jarnach 1954, and Boris Blacher 1957)
1964
Fortner succeeded Karl Amadeus Hartmann as the director of "musica viva" in Munich; together with Ernst Thomas, he ran the concert series until 1978.
1975
The Dramatiker-Union, Germany's oldest foundation for writers (founded in 1871 in Leipzig), named Fortner as president.
1975
Having dedicated so much of his life to teaching, Fortner helped and guided many younger generations of composers. His pupils (amongst others) include: Hans Werner Henze, Rudolf Kelterborn, Gottfried Schnabel, Peter Westergaard, Friedhelm Döhl, Arghyris Kounadis, Nam June Paik, Robert HP Platz, Manfred Stahnke, Wilfried Steinbrenner and Hans Zender.
1975
Guest lectures led him to Austria, Térésopolis (Brasil) and to Tanglewood, Massachusetts where he directed courses with the Boston Symphony Orchestra.
1977
Reinhold-Schneider-Preis, Freiburg im Breisgau
1977
Honours given on his 70th Birthday 1977: Großes Verdienstkreuz mit Stern des Verdienstordens der Bundesrepublik Deutschland, the highest decoration awarded for service in Germany; An honoury doctorate from the Ruprecht-Karls-University Heidelberg and the Albert-Ludwigs-University Freiburg; Freeman of the Staatliche Hochschule für Musik Heidelberg–Mannheim; Richard-Benz medal for Art and Science, Heidelberg; Badge of honour from the Dramatiker-Union
1987
Wolfgang Fortner died on September 5 in Heidelberg. The Wolfgang Fortner collection can be found in the Bayerische Staatsbibliothek, Munich.
Produits
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für sieben Sänger und OrchesterCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: 7 chanteurs et orchestreLangue: Vocalises
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Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Jeu de partiesSérie: 2. Streichquartett
Instrumentation: quatuor à cordesNuméro du produit: ED 3176En stock35,00 €TTC, hors expédition -
Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition et partiesInstrumentation: violon, alto et violoncelleNuméro du produit: ED 7277En stock22,00 €TTC, hors expédition
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Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Jeu de partiesSérie: 3. Streichquartett
Instrumentation: quatuor à cordesNuméro du produit: ED 4120En stock24,00 €TTC, hors expédition -
Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'étudeSérie: 3. Streichquartett
Instrumentation: quatuor à cordesNuméro du produit: ED 4102En stock17,00 €TTC, hors expédition -
Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'exécutionInstrumentation: quatuor à cordesNuméro du produit: ED 6663En stock24,00 €TTC, hors expédition
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Kantate nach dem gleichnamigen Gedicht von Bertolt BrechtCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: récitants, ténor-seul, à quatre voixr chœur mixte (SATB) et orchestreLangue: Allemand
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nach Worten von T. S. Eliot aus dem Drama "Mord im Dom"Compositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: Mezzosoprano ou alto, flûte, seul-alto et clavecin ou orchestre de chambreLangue: Allemand
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Musik für Oboe und OrchesterCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: hautbois et orchestre
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Music for Oboe and OrchestraCompositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'étudeSéries: Music Of Our Time
Aulodie
Instrumentation: hautbois et orchestreNuméro du produit: ED 6312En stock29,00 €TTC, hors expédition -
für 2 Solo-Violinen und StreichorchesterCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: 2 seul-violons et orchestre à cordes
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aus "Chant de naissance"Compositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: seul-soprano, seul-violon et orchestre à cordesLangue: Français
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aus "Chant de naissance"Compositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: soprano et instrumental-ensemble (7 musicien)Langue: Français
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zur 500-Jahr-Feier der Universität FreiburgCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: orchestre d'instruments à vent
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Zwischenspiele aus der lyrischen Tragödie von Federíco García LorcaCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: grand orchestre
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Zwischenspiele aus der lyrischen Tragödie von Federíco García LorcaCompositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'étudeSérie: Bluthochzeit
Instrumentation: grand orchestreNuméro du produit: ED 5032En stock22,00 €TTC, hors expédition -
für großes OrchesterCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: grand orchestre
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Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition et partiesInstrumentation: flûte (aussi Piccolo), hautbois et bassonNuméro du produit: ED 6935En stock24,00 €TTC, hors expédition
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Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Réduction pour piano avec partie solisteSérie: Konzert
Instrumentation: violoncelle et orchestreNuméro du produit: ED 4343En stock28,00 €TTC, hors expédition -
Compositeur: Wolfgang FortnerSérie: Edition Schott
Instrumentation: pianoNuméro du produit: ED 2219Type de produitEn stockPrix à partir de 13,99 €TTC -
Kantate nach Worten von Saint-John PerseCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: seul-soprano, seul-violon et orchestre à cordes, à cinq voixr chœur mixte (SSATB), instruments à vent batterie et harpeLangue: Français
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Kantate nach Worten von Saint-John PerseCompositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'étudeSérie: Chant de naissance
Instrumentation: choeur mixte (SSATB) avec soprano seul, violon seul et orchestreLangue: FrançaisNuméro du produit: ED 4598En stock36,00 €TTC, hors expédition -
"La tempesta di mare"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, Violoncello/KontrabassSérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 125-14Type de produitEn stockPrix à partir de 3,99 €TTC -
"La tempesta di mare"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, ViolaSérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 125-13Type de produitEn stockPrix à partir de 3,99 €TTC -
"La tempesta di mare"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, Violine IISérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 125-12Type de produitEn stockPrix à partir de 3,99 €TTC -
"La tempesta di mare"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, Violine ISérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 125-11Type de produitEn stockPrix à partir de 3,99 €TTC -
"La tempesta di mare"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partition, = Cembalo/KlavierSéries: Antiqua
Edition Schott
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 125Type de produitEn stockPrix à partir de 13,99 €TTC -
"La Notte"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, Violoncello/KontrabassSérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 126-14Type de produitEn stockPrix à partir de 3,99 €TTC -
"La Notte"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, ViolaSérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 126-13Type de produitEn stockPrix à partir de 3,99 €TTC -
"La Notte"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, Violine IISérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 126-12Type de produitEn stockPrix à partir de 3,99 €TTC -
"La Notte"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partie séparée, Violine ISérie: Antiqua
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 126-11Type de produitEn stockPrix à partir de 3,99 €TTC -
"La Notte"Compositeur: Antonio VivaldiEditeur: Wolfgang Fortner | Walter KolnederEdition: Partition, = Cembalo/KlavierSéries: Antiqua
Edition Schott
Instrumentation: flûte (flûte à bec alto), orchestre à cordes et basse continueNuméro du produit: ANT 126Type de produitEn stockPrix à partir de 13,99 €TTC -
"Jauchzet dem Herrn alle Welt"Compositeur: Wolfgang FortnerEdition: Partition, (= Chorpartitur)Séries: Schott Choral Music
Der 100. Psalm
Instrumentation: choeur mixte (SSATB) avec cuivres (3.2.2.0)Numéro du produit: C 40915Type de produitEn stockPrix à partir de 7,99 €TTC -
"Jauchzet dem Herrn alle Welt"Compositeur: Wolfgang FortnerMedia Type: Partition électronique en PDFEdition: Jeu de parties d'harmonieSéries: Schott Choral Music
Der 100. Psalm
Instrumentation: choeur mixte (SSATB) avec cuivres (3.2.2.0)Langue: AllemandNuméro du produit: C 40916-10 Q38464En stock15,99 €TTC -
"Einen vergänglichen Tag lebt ich"Compositeur: Wolfgang FortnerMedia Type: Partition électronique en PDFEdition: Partition de choeurSérie: Schott Choral Music
Instrumentation: choeur d'hommes (TTB)Langue: AllemandNuméro du produit: C 33746 Q9346En stock1,99 €TTC -
nach LukasCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: Tenor-Solo, sechsstimmiger gemischten Chor (SSATBB), 11 Instrumentalisten (oder Kammerorchester) und OrgelLangue: Allemand
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nach LukasCompositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'étudeSérie: Die Pfingstgeschichte
Instrumentation: choeur mixte (SSATBB) avec ténor seul, orgue et orchestre de chambreLangue: AllemandNuméro du produit: ED 5039En stock21,50 €TTC, hors expédition -
Konzertsuite nach dem Ballett für großes OrchesterCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: grand orchestre
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für eine Bass-Stimme (oder Bariton) und OrchesterCompositeur: Wolfgang Fortner | Hugo Philipp Jakob WolfArrangeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: basse-voix (ou baryton) et orchestreLangue: Allemand
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1. Geistliches Lied "Der Mensch lebt und bestehet"Compositeur: Wolfgang FortnerMedia Type: Partition électronique en PDFEdition: Partition de choeurInstrumentation: choeur mixte (SSAATB)Langue: AllemandNuméro du produit: C 33570 Q9108En stock1,99 €TTC
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2. Agnus Dei "Es sucht das Lamm die Bitterkeit"Compositeur: Wolfgang FortnerMedia Type: Partition électronique en PDFEdition: Partition de choeurInstrumentation: choeur mixte (SATB)Langue: AllemandNuméro du produit: C 33571 Q8848En stock1,99 €TTC
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from "Seven Inventions"Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'exécutionInstrumentation: violon et violoncelleNuméro du produit: ED 7174En stock23,00 €TTC, hors expédition
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Type de produitEn stockPrix à partir de 12,99 €TTC
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Parergon zu "The Creation"Compositeur: Wolfgang FortnerEditeur: Rainer MohrsSérie: Edition Schott
Instrumentation: orgueNuméro du produit: ED 9590Type de produitEn stockPrix à partir de 9,99 €TTC -
Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Jeu de partiesSérie: Fünf Bagatellen
Instrumentation: quintette à ventNuméro du produit: ED 5177En stock24,00 €TTC, hors expédition -
Compositeur: Wolfgang FortnerMedia Type: PartitionEdition: Partition d'étudeSérie: Fünf Bagatellen
Instrumentation: quintette à ventNuméro du produit: ED 5021En stock16,00 €TTC, hors expédition -
Compositeur: Wolfgang FortnerMedia Type: PartitionInstrumentation: orgueNuméro du produit: ED 6992En stock29,00 €TTC, hors expédition
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Kammerkantate nach Worten von Martin Gerhard RaschkeCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: Sopranstimme, 7 Solo-Instrumente und Cembalo (od. Klavier)Langue: Allemand
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für Bassbariton-Solo, gemischten Chor (SATB), elektronische Klänge und OrchesterCompositeur: Wolfgang FortnerMedia Type: Matériel en location / d'exécutionEdition: Matériel d'exécutionInstrumentation: Bassbariton-Solo, gemischter Chor (SATB), elektronische Klänge und OrchesterLangue: Latin
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"Wie Stein mit Meißel ficht"Compositeur: Wolfgang FortnerMedia Type: Partition électronique en PDFEdition: Partition de choeurSérie: Schott Choral Music
Instrumentation: choeur d'hommes (TTBB)Langue: AllemandNuméro du produit: C 33747 Q9401En stock1,99 €TTC