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Waltzes

Version for Four Hands. Edited from the engraver's copy and the original edition
Urtext
Product number: UT50074
Edition: Urtext
€12.95
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Product Type
Print edition
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Product Details

Description

Der Charakter der einzelnen Tänze nähert sich bald dem schwunghaften Wiener Walzer, häufiger dem behäbig wiegenden Ländler, mitunter tönt aus der Ferne ein Anklang  an Schubert oder Schumann. Gegen Ende des Heftes klingt es wie Sporengeklirr, erst leise wie probierend, dann immer entschiedener und feuriger - wir sind, ohne Frage, auf ungarischem Boden... (...) Das Brahmssche Heft erlässt dem Spieler jedwede Bravour oder Anstrengung, appelliert aber an ein feines musikalisches Gefühl...
(Widmungsträger Eduard Hanslick, 1866)

Content

Walzer Nr. 1 H-Dur op. 39/1
Walzer Nr. 2 E-Dur op. 39/2
Walzer Nr. 3 gis-Moll op. 39/3
Walzer Nr. 4 e-Moll op. 39/4
Walzer Nr. 5 E-Dur op. 39/5
Walzer Nr. 6 Cis-Dur op. 39/6
Walzer Nr. 7 cis-Moll op. 39/7
Walzer Nr. 8 B-Dur op. 39/8
Walzer Nr. 9 d-Moll op. 39/9| Walzer Nr. 10 G-Dur op. 39/10
Walzer Nr. 11 h-Moll op. 39/11
Walzer Nr. 12 E-Dur op. 39/12
Walzer Nr. 13 C-Dur op. 39/13
Walzer Nr. 14 a-Moll op. 39/14
Walzer Nr. 15 A-Dur op. 39/15
Walzer Nr. 16 d-Moll op. 39/16

More Information

Title:
Waltzes
Version for Four Hands. Edited from the engraver's copy and the original edition
Urtext
Edition:
Urtext
Level of difficulty:
intermediate
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 39
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50074
ISMN13:
979-0-50057-074-5
ISBN13:
978-3-85055-073-4
Weight:
0,13 kg
Pages:
20
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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