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Variations sérieuses

Edited from the sources by Michael Kube. Fingerings and Notes on Interpretation by Peter Roggenkamp.
Urtext
piano
Product number: UT50278
Edition: Urtext
€11.95
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Product Type
Print edition
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Product Details

Description

With his Variations sérieuses, Felix Mendelssohn Bartholdy contributed to the anthology Album-Beethoven which had been initiated by the Viennese publisher Pietro Mechetti and whose proceeds were to be donated for the funding of the Beethoven monument in Bonn. In order to do justice to the high standards of the composer to be honoured, Mendelssohn decided in favour of a cycle of variations which clearly stands out from the superficially virtuoso variation style of that time. The new edition of the Wiener Urtext Edition is based on the autograph engraver’s copy and the first prints. In addition, the correspondence of Mechetti's editor Becher with Mendelssohn could be consulted for clarifying problematic textual instances. The notes on interpretation by Peter Roggenkamp cover various aspects – from learning to master the technical demands to practical performance details. The edition is rounded off by a practical and user-friendly notation.

More Information

Title:
Variations sérieuses
Edited from the sources by Michael Kube. Fingerings and Notes on Interpretation by Peter Roggenkamp.
Urtext
Edition:
Urtext
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 54
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50278
ISMN13:
979-0-50057-333-3
ISBN13:
978-3-85055-707-8
UPC:
800522002670
Weight:
0,16 kg
Format:
23.1cm x 30.3cm
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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