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Variations

Edited from autograph and first edition
Urtext
violin and piano
Product number: UT50069
Edition: Urtext
€15.50
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Product Type
Print edition
Title is available

Product Details

Description

Ausgehend von der Praxis der Zeit, die durch Fermaten bezeichneten improvisatorischen Momente bei Wiederholung zu variieren, sind Ausführungsvorschläge dem Notentext in Fußnoten beigefügt. Karl Maguerre (Herausgeber), geboren 1906; studierte Musik und Mathematik; lebte in Darmstadt. Seit 1947 Professor an der Technischen Universität Darmstadt und Leiter des Orchesters und Chores der Universität. Verfasser zahlreicher Aufsätze über klassische Musik und Herausgeber der ersten Urtext-Ausgabe der Klaviertrios von Mozart im Verlag Peters. Für die unter Mitwirkung von David Oistrach geplanten Urtextausgaben konnte sein berühmter Schüler Gidon Kremer für die Herausgabe der Violinstimme gewonnen werden.

Content

Sechs Variationen g-Moll über das französische Lied "Hélas, j´ai perdu mon amant", KV 374 b (360)
Zwölf Variationen G-Dur über das französische Lied "La Bergère Célimène", KV 374 a (359)

More Information

Title:
Variations
Edited from autograph and first edition
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50069
ISMN13:
979-0-50057-069-1
ISBN13:
978-3-85055-068-0
Weight:
0,18 kg
Pages:
34
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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