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The Well Tempered Clavier

Part II | Edited from the autograph and manuscript
Urtext
piano
Product number: UT50051
Edition: Urtext
€23.95
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Product Type
Print edition
Title is available

Product Details

Content

Präludium 1
Fuga 1 à 3 C-Dur BWV 870 -Präludium 2
Fuga 2 à 4 c-Moll BWV 871
Präludium 3
Fuga 3 à 3 Cis-Dur BWV 872
Präludium 4
Fuga 4 à 3 cis-Moll BWV 873
Präludium 5
Fuga 5 à 4 D-Dur BWV 874 -
Präludium 6
Fuga 6 à 3 d-Moll BWV 875
Präludium 7
Fuga 7 à 4 Es-Dur BWV 876
Präludium 8
Fuga 8 à 4 E-Dur BWV 877
Präludium 9
Fuga 9 à 4 E-Dur BWV 878
Präludium 10
Fuga 10 à 3 e-Moll BWV 879 -
Präludium 11
Fuga 11 à 3 F-Dur BWV 880
Präludium 12
Fuga 12 à 3 f-Moll BWV 881
Präludium 13
Fuga 13 à 3 Fis-Dur BWV 882
Präludium 14
Fuga 14 à 3 fis-Moll BWV 883
Präludium 15
Fuga 15 à 3 G-Dur BWV 884
Präludium 16
Fuga 16 à 4 g-Moll BWV 885
Präludium 17
Fuga 17 à 4 As-Dur BWV 886
Präludium 18
Fuga 18 à 3 as-Moll BWV 887 -
Präludium 19
Fuga 19 à 3 A-Dur BWV 888
Präludium 20
Fuga 20 à 3 a-Moll BWV 889
Präludium 21
Fuga 21 à 3 B-Dur BWV 890
Präludium 22
Fuga 22 à 4 b-Moll BWV 891
Präludium 23
Fuga 23 à 4 H-Dur BWV 892 -
Präludium 24
Fuga 24 à 3 h-Moll BWV 893

More Information

Title:
The Well Tempered Clavier
Part II | Edited from the autograph and manuscript
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 870-893
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50051
ISMN13:
979-0-50057-051-6
ISBN13:
978-3-85055-051-2
Weight:
0,64 kg
Pages:
172
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Wohltemp. Klavier II

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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