The Well Tempered Clavier
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Content
Fuga 1 à 4 C major BWV 846
Präludium 2
Fuga 2 à 3 C minor BWV 847 -Präludium 3
Fuga 3 à 3 C sharp major BWV 848
Präludium 4
Fuga 4 à 5 C sharp minorl BWV 849
Präludium 5
Fuga 5 à 4 D major BWV 850
Präludium 6
Fuga 6 à 3 D minorl BWV 851
Präludium 7
Fuga 7 à 3 E flat major BWV 852
Präludium 8
Fuga 8 à 3 E flat minor BWV 853
Präludium 9
Fuga 9 à 3 E major BWV 854
Präludium 10
Fuga 10 à 2 E minor BWV 855
Präludium 11
Fuga 11 à 3 F major BWV 856
Präludium 12
Fuga 12 à 4 F minor BWV 857
Präludium 13
Fuga 13 à 3 F sharp major BWV 858
Präludium 14
Fuga 14 à 4 F sharp minor BWV 859
Präludium 15
Fuga 15 à 3 G major BWV 860
Präludium 16
Fuga 16 à 4 G minor BWV 861
Präludium 17
Fuga 17 à 4 A flat major BWV 862
Präludium 18
Fuga 18 à 4 A flat minor BWV 863
Präludium 19
Fuga 19 à 3 A major BWV 864
Präludium 20
Fuga 20 à 4 A minor BWV 865
Präludium 21
Fuga 21 à 3 B flat major BWV 866
Präludium 22
Fuga 22 à 5 B flat minor BWV 867
Präludium 23
Fuga 23 à 4 B major BWV 868
Präludium 24
Fuga 24 à 4 B minor BWV 869
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Wohltemp. Klavier I
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Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.
In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.