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The Easiest Piano Sonatas

Edited from the sources by Christa Landon, revised by Ulrich Leisinger. Fingerings by Oswald Jonas
Urtext
piano
Product number: UT50273
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

When Joseph Haydn composed his smaller early piano sonatas, then called divertimentos, he clearly kept the beginner and amateur pianist in mind. With only few technical demands, these works nevertheless provide an excellent insight into the cosmos of Haydn's piano music and introduce the player to Haydn's musical language in an exemplary manner. The current edition combines four of the most popular of these easy sonatas for beginners' lessons, which already contain essential elements of the classical Viennese piano style. The text is based on the revised new edition by Ulrich Leisinger who is also responsible for the legendary urtext edition of Joseph Haydn's piano sonatas by Christa Landon.

Content

Sonate C-Dur Hob. XVI:7
Sonate G-Dur Hob. XVI:8
Sonate F-Dur Hob. XVI:9
Sonate D-Dur Hob. XVI:4

More Information

Title:
The Easiest Piano Sonatas
Edited from the sources by Christa Landon, revised by Ulrich Leisinger. Fingerings by Oswald Jonas
Urtext
Edition:
Urtext
Level of difficulty:
easy
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50273
ISMN13:
979-0-50057-307-4
ISBN13:
978-3-85055-682-8
UPC:
800522002427
Weight:
0,08 kg
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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