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The Complete Piano Sonatas

Vol. 3 | Edited from the sources and provided with commentary and fingering
Urtext
Piano
Product number: UT50222
Edition: Urtext
€31.95
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Product Type
Print edition
Title is available

Product Details

Description

With these three volumes Vienna Urtext Edition presents the first critical edition of Schubert's entire piano sonata output published in chrono-logical order. The musical text, newly revised from the original sources, is accompanied by articles giving a history of the work, details on Schubert's piano writing and his instruments, and tips on authentic performance practice. The editorial approach is explained in a critical commentary. The third volume contains the later sonatas, composed in Schubert's final years (1825-1828) D 850, D 894, D 958, D 959, and D 960.

Content

Vorwort
Zur Edition
Schubert und das Klavier
Sonate Nr. 17 D-Dur D 850
Sonate Nr. 18 G-Dur D 894
Sonate Nr. 19 c-Moll D 958
Sonate Nr. 20 A-Dur D 959
Sonate Nr. 21 B-Dur D 960
Kritischer Bericht

More Information

Title:
The Complete Piano Sonatas
Vol. 3 | Edited from the sources and provided with commentary and fingering
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50222
ISMN13:
979-0-50057-225-1
ISBN13:
978-3-85055-553-1
Weight:
0,95 kg
Pages:
256
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Klaviersonaten

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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