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The Complete Piano Sonatas

Vol. 2 | Edited from the sources and provided with commentary and fingering
Urtext
Piano
Product number: UT50221
Edition: Urtext
€36.95
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Product Type
Print edition
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Product Details

Description

The Wiener Urtext Edition presents the first critical edition of Franz Schubert's piano sonatas arranged in chronological order. The newly revised text is based on the sources and is accompanied by a description of genesis and history, information on Schubert's instruments and his piano writing, plus notes on authentic performance practice. The editorial approach is documented in a critical report. In order to enable a complete performance the movements only extant in fragmentary form have been carefully reconstructed in accordance with up-to-date research.

Content

Vorwort
Zur Edition
Schubert und das Klavier
Sonate Nr. 9 fis-Moll D 571
Sonate Nr. 10 H-Dur D 575
Sonate Nr. 11 C-Dur D 613
Sonate Nr. 12 f-Moll D 625
Sonate Nr. 13 A-Dur
Sonate Nr. 14 a-Moll D 784
Sonate Nr. 15 C-Dur D 840
Sonate Nr. 16 a-Moll D 845
Anhang: Sonate cis-Moll D 655 (Fragment)
Sonate e-Moll D 769A (Fragment)
Kritischer Bericht

More Information

Title:
The Complete Piano Sonatas
Vol. 2 | Edited from the sources and provided with commentary and fingering
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50221
ISMN13:
979-0-50057-224-4
ISBN13:
978-3-85055-552-4
Weight:
0,99 kg
Pages:
280
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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