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Suites for Violoncello solo

Edited from the sources
Urtext
Product number: UT50133
Edition: Urtext
€34.50
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Product Type
Print edition
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Product Details

Description

Johann Sebastian Bach's Six Suites for violoncello solo represent an equal counterpart to his six sonatas and partitas for solo violin - in the 18th century they were even played on the piano. They have come down to us in an earlier and a later version. As the result of a musicological source revaluation this new edition accords considerably greater importance to the later copies than previously. To all appearances they seem to more clearly reflect Johann Sebastian Bach's intentions in particular in respect of the problematic slurring than the sources for the older version. Difficult page turns within movements have been carefully avoided through sensible pagination.

Content

Suite 1 G-Dur BWV 1007
Suite 2 d-Moll BWV 1008
Suite 3 C-Dur BWV 1009
Suite 4 Es-Dur BWV 1010
Suite 5 c-Moll BWV 1011
Suite 6 D-Dur BWV 1012
Separater Kommentarteil

More Information

Title:
Suites for Violoncello solo
Edited from the sources
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - difficult
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 1007-1012
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50133
ISMN13:
979-0-50057-175-9
ISBN13:
978-3-85055-589-0
UPC:
800522001185
Weight:
0,34 kg
Pages:
93
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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