The double album “Spheres of Resonance” contains central works from Ludger Brümmer's compositional oeuvre. In these, Ludger Brümmer not only explores new timbres or new musical architectures, but also attempts to resolve the ontological discontinuity between macro- and microstructure inherent in traditional musical writing.
Central to Ludger Brümmer's compositional concept are the methods of granular synthesis and physical modeling all controlled by custom-made algorithms. The pieces “Gesualdo”, “Carlo”, “Glasharfe” and “Falling” on these album were created with the help of granular synthesis. This micro composition method can be described as an image that is cut into small particles and reassembled. The sonic results of such an operation can certainly be compared to the painting of the pointillists. For the works “Cellularium”, “Spheres of Resonance”, “Lizard Point” and “Gestalt” the simulation software GENESIS was used. This is a method by means of which the material and vibration properties of real objects can be imitated extremely realistically and the slowed down course of the vibration can be viewed in detail.
Ludger Brümmer uses these means to create a dramatic world of sound in which the sound structure plays a major, almost expressive role. In many works the interaction with historical material is central – an attempt to build a new language on old foundations, with sometimes astonishing results.
The album “Ludger Brümmer: Spheres of Resonance”, published by WERGO within the Edition ZKM, is a result of the project EASTN-DC and funded by the program “Creative Europe”. The second double album “Ludger Brümmer: Sonic Patterns” will be released by WERGO at the end of 2022.
A production of ZKM | Zentrum für Kunst und Medien Karlsruhe.
- CD 1: Cellularium
- CD 2: Glasharfe
Spheres of Resonance
In the edition ZKM electronic, the ZKM | Institut für Musik und Akustik (IMA) currently releases productions on the label WERGO which are based on electronic media and which, in the broadest sense, can be described as electro-acoustic compositions. Guest artists from all over the world are invited to work in the music studios to realize specific projects. The productions, ranging from digital synthesis and algorithmic composition to the integration of live electronics, from radio art to sound installation, encompass a broad spectrum of that locus where digital technology stimulates musical fantasy. More information on the ZKM you can find here.
The productions highlight current works of contemporary composers and musicians which are characterized by technological and aesthetic developments, while sometimes crossing the lines of the auditory by means of visualizations or multimedia concepts. Even in the field of audio productions, new territory is entered with 5.1 panoramas, for example, in order to depict the often three-dimensional compositions in an adequate manner. The aim is to spread the electro-acoustic music and sustain its release.
Starting in 2011, the label ZKM milestones releases selected works of contemporary music which, with regard to aesthetics, play a special role in recent music history and the academic examination and publication of which contribute to a better understanding of the cultural landscape.