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Sonate (Solo)

Edited from the sources by Jochen Reutter. Notes on interpretation by Susanne Schrage
Urtext
flute and basso continuo (harpsichord/piano, cello ad libitum)
Product number: UT50416
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

Telemann's Sonata (solo) for traverse flute and basso continuo comes from his 'Tafelmusik' published in 1733, one of the most important instrumental cycles of the late Baroque period. The prominent themes of the Sonata, especially of the first and last movements, seem to have impressed G. Fr. Handel so much that he took them up in his Organ Concerto No. 15 in D minor. The edition strictly follows the first edition published by Telemann himself, which made it possible to correct several errors in 20th-century editions.

More Information

Title:
Sonate (Solo)
Edited from the sources by Jochen Reutter. Notes on interpretation by Susanne Schrage
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
TWV 41:h4
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50416
ISMN13:
979-0-50057-401-9
ISBN13:
978-3-85055-780-1
UPC:
800522003387
Weight:
0,15 kg
Pages:
36
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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