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Sonatas for violin and piano

Vol. 1 | Edited by the sources
Urtext
Product number: UT50237
Edition: Urtext
€38.95
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Product Type
Print edition
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Product Details

Description

Schumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as "Second only to Beethoven's Sonata in A". Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition, which draws not only upon the authorised first editions of both works, but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the original publishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect.

The edition is part of the ABRSM syllabus (grade 8)

Content

Schumann, Robert: Sonate für Klavier und Violine a-Moll op. 105 (1851)
Schumann, Robert: Sonate für Klavier und Violine d-Moll op. 121 (1851)

More Information

Title:
Sonatas for violin and piano
Vol. 1 | Edited by the sources
Urtext
Edition:
Urtext
Level of difficulty:
advanced - difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 105 & op. 121
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50237
ISMN13:
979-0-50057-257-2
ISBN13:
978-3-85055-598-2
UPC:
800522001611
Weight:
0,57 kg
Pages:
160
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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