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Sonata

Edited from the original edition
Urtext
cello and piano
Product number: UT50039
Edition: Urtext
€16.50
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Product Type
Print edition
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Product Details

Description

The sonata, Op. 38, was composed by Brahms during the summer months of 1862 and 1865 and is part of every cellist's standard repertoire. The piece is "a greeting to J.S. Bach". In the first movement, Brahms copied the fourth counterpoint from the "Art of the Fugue" in the main motif, as well as the thirteenth counterpoint in the motif of the fugue in the finale.

Offered to publishers Breitkopf & Härtel with the composer's comment that it was "quite easy to play for both instruments", it is possible for advanced amateur musicians to perform the sonata - in contrast to its counterpart in F-Major.

More Information

Title:
Sonata
Edited from the original edition
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 38
Key:
E minor
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50039
ISMN13:
979-0-50057-038-7
ISBN13:
978-3-85055-038-3
Weight:
0,22 kg
Pages:
56
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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