• Joy of Music – Over 250 years of quality, innovation, and tradition
Lieferzeit
2-3 Tage

Sonata

for Arpeggione and Klavier
Edited from the source by Christa Jost and Gerhart Darmstadt. Notes on interpretation by Gerhart Darmstadt / Fingerings (piano) by Christa Jost
cello and piano
Product number: UT50402
Edition: Urtext
€17.95
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

Franz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. Today, the piece has become a standard work for violoncello and piano, an instrumentation chosen for the present edition as well. For the few players of an arpeggione, a solo part is available at www.wiener-urtext.com. The edition follows, for the most part, the text of Schubert's extant autograph.

More Information

Title:
Sonata
for Arpeggione and Klavier
Edited from the source by Christa Jost and Gerhart Darmstadt. Notes on interpretation by Gerhart Darmstadt / Fingerings (piano) by Christa Jost
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
D 821
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50402
ISMN13:
979-0-50057-400-2
ISBN13:
978-3-85055-779-5
UPC:
800522003370
Weight:
0,26 kg
Pages:
70
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

Reviews

Be the first to review this product.