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Sonata for Violin and Piano A major

Edited from the autographs and the first edition
Urtext
Product number: UT50174
Edition: Urtext
€22.95
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Product Type
Print edition
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Product Details

Description

Franck's Sonata is one of the most famous works in the chamber music repertoire. This new Wiener Urtext Edition is based on the first edition with Franck's final corrections. Inconsistencies between the piano score and the solo part are due to annotations by the violinist Eugène Ysaÿe, the dedicatee who was given the work as a wedding present.

This version, likely to have been authorized by Franck, is published for the first time in an Urtext edition. Günther Ludwig, in his preface, suggests a carefully considered, cerebral approach to this highlight of the repertoire.

More Information

Title:
Sonata for Violin and Piano A major
Edited from the autographs and the first edition
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Key:
A-Dur
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50174
ISMN13:
979-0-50057-196-4
ISBN13:
978-3-85055-574-6
UPC:
800522001345
Weight:
0,3 kg
Pages:
76
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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