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Selected Works for Piano

Edited from the autographs, manuscript copies and original editions and their revisions
Urtext
piano
Product number: UT50195
Edition: Urtext
€48.50
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Product Type
Print edition
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Product Details

Description

In the last few decades, Arnold Schönberg's piano works have found their place in the "classical" concert repertory. The acceptance of this rather small oeuvre has largely been the work of performing musicians. After the examples set by Eduard Steuermann and Else C. Kraus, pianists such as Glenn Gould, Maurizio Pollini and Claude Helffer (as well as many others) have, in their concerts and recordings, presented this group of works – Opp. 11, 19, 23, 25 and 33a/b – as an historically and aesthetically significant totality. Of particular importance has been the programming of these pieces in concerts along with Beethoven's sonatas, which, for a large circle of listeners, has lent them the aura of classical works of art.

Content

Vorwort
Drei Klavierstücke op. 11, revidiert 1924
Sechs kleine Klavierstücke op. 19
Suite für Klavier op. 25
Klavierstück op. 33a
Klavierstück op. 33b
Anhang: Drei Klavierstücke (1894)
Kritische Anmerkungen
Zur Interpretation von Schönbergs Klavierwerk
Interpretationshinweise zu den einzelnen Klavierstücken

More Information

Title:
Selected Works for Piano
Edited from the autographs, manuscript copies and original editions and their revisions
Urtext
Edition:
Urtext
Level of difficulty:
easy - difficult
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50195
ISMN13:
979-0-50057-165-0
ISBN13:
978-3-85055-582-1
Weight:
0,36 kg
Pages:
96
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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