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Scenes from Childhood

Easy pieces for the Pianoforte
Urtext
piano
Product number: UT50190A
Edition: Urtext - Edition without Preface and Editorial Notes
€7.50
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Product Type
Print edition
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Product Details

Description

Die "Kinderszenen", entstanden im Frühjahr 1838, gehören zu den bekanntesten und beliebtesten Werken der Klavierliteratur. Vor allem Nr. 7, die "Träumerei", trat ab der 2. Hälfte des 19. Jahrhunderts einen beispiellosen Siegeszug durch die Musikwelt an. Die vorliegende, sorgfältig revidierte Ausgabe berücksichtigt erstmals handschriftliche Verbesserungen und veränderte Tempoangaben von Schumanns Hand in einem der beiden erhaltenen Exemplare der Erstausgabe von 1839, das 1994 in den Besitz des Robert-Schumann-Hauses in Zwickau gelangte. Von der "Instruktiven Ausgabe" Clara Schumanns unterscheidet sich diese Edition u.a. durch die Metronomangaben, weshalb die Stücke hinsichtlich ihres Tempos und ihrer Phrasierung von dem bisher gewohnten Klangbild z.T. erheblich abweichen.

Content

Von fremden Ländern und Menschen
Kuriose Geschichte
Haschemann
Bittendes Kind
Glückes genug
Wichtige Begebenheit
Träumerei
Am Kamin
Ritter vom Steckenpferd
Fast zu ernst
Fürtemachen
Kind im Einschlummern
Der Dichter spricht
Kriitsche Anmerkungen
Critical Notes

More Information

Title:
Scenes from Childhood
Easy pieces for the Pianoforte
Urtext
Edition:
Urtext - Edition without Preface and Editorial Notes
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Year of composition:
1838
Opus:
op. 15
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50190A
ISMN13:
979-0-50057-227-5
ISBN13:
978-3-85055-579-1
UPC:
800522001390
Weight:
0,11 kg
Pages:
24
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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