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Rondo capriccioso

Edited from the sources by Ulrich Leisinger. Fingerings and Notes on Interpretation by Peter Roggenkamp.
Urtext
piano
Product number: UT50215
Edition: Urtext
€9.50
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Product Type
Print edition
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Product Details

Description

On 13 June 1830 Felix Mendelssohn Bartholdy finished his Rondo capriccioso. After the Leipzig publishers Hofmeister and Breitkopf & Härtel had refused to publish the work – probably because of the seemingly excessive fee demanded by the composer –, the work eventually was published by Mechetti in Vienna and J. B. Cramer, Addison & Beale in London almost at the same time. Originally intended as a study, Mendelssohn revised the piece and added an andante introduction, thus managing to create one of his most outstanding piano works which has maintained an unfailing popularity until today. The new edition of the Vienna Urtext Edition is based on all extant sources, with the first edition from London being of particular significance.

More Information

Title:
Rondo capriccioso
Edited from the sources by Ulrich Leisinger. Fingerings and Notes on Interpretation by Peter Roggenkamp.
Urtext
Edition:
Urtext
Level of difficulty:
advanced - difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 14
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50215
ISMN13:
979-0-50057-219-0
ISBN13:
978-3-85055-717-7
UPC:
800522002779
Weight:
0,13 kg
Format:
23.1cm x 30.3cm
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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