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Pieces from the Nannerl Music Book

Edited from the sources and provided with fingered by Ulrich Leisinger. Completion to the fragmentary piece K 9b by Robert D. Levin.
Urtext
piano
Product number: UT50262
Edition: Urtext
€10.95
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Product Type
Print edition
Title is available

Product Details

Description

At the age of four, Mozart astounded his father with his understanding of the piano. His first works were simple dance settings written when he was five, at which point his musical abilities were developing at a tremendous speed. The earliest pieces are recorded in the music book for Maria Anna Mozart, the so-called 'Nannerl-Notenbuch'. These pieces are ideal for elementary teaching. Apart from the popular minuets which form part of every piano beginner's repertoire, the edition also contains expanded individual settings such as the fragmentary piano piece in B flat major, KV 9b, made playable by Robert D. Levin's edition and thus becoming a valuable addition to the teaching literature.

Content

Andante KV 1a
Allegro KV 1b
Allegro KV 1c
Menuett KV 1d
Menuett KV 1e
Menuett KV 1f
Menuett KV 2
Allegro KV 3
Menuett KV 4
Menuett KV 5
Allegro KV 6/1
Andante KV 6/2
Menuett KV 6/3, I
Menuett KV 6/3, II
Menuett KV 7/3, I
Allegro KV 8/1
Klavierstück KV 9a
Klavierstück KV 9b

More Information

Title:
Pieces from the Nannerl Music Book
Edited from the sources and provided with fingered by Ulrich Leisinger. Completion to the fragmentary piece K 9b by Robert D. Levin.
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50262
ISMN13:
979-0-50057-293-0
ISBN13:
978-3-85055-668-2
UPC:
800522002281
Weight:
0,13 kg
Pages:
32
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Nannerl-Notenbuch

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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