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Piano Sonata in C minor

with Piano Pieces in C minor WoO 52 and 53
Product number: UT50430
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

Beethoven's Sonata Op. 10/1 was composed over a long period between 1795 and 1798 in which the composer could not decide for quite some time whether to go for four or three movements. Beethoven considered two piano pieces in C minor (WoO 52 and 53) as potential third movements before the finale until he eventually decided in favour of a three-movement version without minuet or scherzo. The present edition for the first time contains the two eliminated pieces in the appendix, not in order for the sonata to be now played with 4 or even 5 movements, but as a suggestion for the planning of a piano recital in which both the three-movement Sonata Op. 10/1 and the two piano pieces can be performed together.

More Information

Title:
Piano Sonata in C minor
with Piano Pieces in C minor WoO 52 and 53
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 10/1
Key:
c-Moll
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50430
ISMN13:
979-0-50057-408-8
ISBN13:
978-3-85055-787-0
UPC:
800522003455
Weight:
0,16 kg
Pages:
32
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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