• Joy of Music – Over 250 years of quality, innovation, and tradition
Lieferzeit
2-3 Tage

Piano Sonata A Major

Edited from the sources by Christa Landon, revised by Ulrich Leisinger, Fingerings by Oswald Jonas. Notes on Interpretation by Robert D. Levin.
Urtext
piano
Product number: UT50403
Edition: Urtext
€7.50
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

The Sonata in A major Hob. XVI:26 is one of the sonatas by Joseph Haydn which increasingly become the focus of attention of our piano teachers. Thanks to its moderate technical demands, it is perfect for piano lessons. At the same time, it shows essential features of Haydn's piano style in a condensed form – an expressive musical declamation, rhetorical breaks full of tension, wit and humour – which culminates not only in one of the shortest final movements of Haydn, but also in a minuet the second half of which (in Minuet and Trio) corresponds to the first half when played backwards. A real voyage of discovery for the 'eagle-eyed' ones among the young piano players! The musical text is based on Christa Landon's edition newly revised by Ulrich Leisinger; the notes on interpretation by Robert D. Levin provide assistance for a performance practice in the appropriate style.

More Information

Title:
Piano Sonata A Major
Edited from the sources by Christa Landon, revised by Ulrich Leisinger, Fingerings by Oswald Jonas. Notes on Interpretation by Robert D. Levin.
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Directory:
Hob XVI:26
Key:
A-Dur
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50403
ISMN13:
979-0-50057-379-1
ISBN13:
978-3-85055-758-0
UPC:
800522003165
Weight:
0,06 kg
Pages:
12
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

Reviews

Be the first to review this product.