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Piano Pieces

Selection
Edited from autographs, manuscript copies and first editions
piano
Product number: UT50047
Edition: Urtext
€22.50
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Product Type
Print edition
Title is available

Product Details

Description

Von den 14 Stücken dieser Ausgabe liegen sechs hier erstmals im Urtext vor. Damit wurde das Repertoire an geeigneter Unterrichtsliteratur erheblich erweitert. Entsprechend der Zielsetzung der Wiener Urtext Edition bringt das Vorwort außer allgemeinen Hinweisen neue Aspekte der Quellenbewertung bei Haydn; in den Kritischen Anmerkungen ist die bei Haydn bekanntlich überaus komplizierte Quellenlage in ihren kompositionell wie interpretatorisch interessanten Details für den Leser, der die Quellen nicht vor Augen hat, deutlich erkennbar erschlossen, und am Beispiel der vorliegenden Stücke ist eine grundsätzliche Auseinandersetzung mit dem Problem der Haydn-Interpretation versucht worden.

Content

Capriccio G-Dur, Hob. XVII:1
Fantasia C-Dur, Hob. XVII:4
20 Variationen G-Dur, Hob. XVII:2
Ariettas Es-Dur, Hob. XVII:3 No. 1 und A-Dur, Hob. XVII:2 No. 2
6 leichte Variationen C-Dur, Hob. XVII:5
Andante con variazioni f-Moll, Hob. XVII:6
Variationen über "Gott erhalte" nach Hob. III:77
Adagios F-Dur, Hob. XVII:9 und G-Dur, Hob. XV:22
Allegrettos G-Dur, Hob. XVII:10 und G-Dur, nach Hob. III:49
Il Maestro e lo Scolare, Sonata a quattro mani, Hob. XVIIa:1
"Gott erhalte", Klavierfassung des Liedes, Hob. XXVIa:43

More Information

Title:
Piano Pieces
Selection
Edited from autographs, manuscript copies and first editions
Urtext
Edition:
Urtext
Level of difficulty:
easy - advanced
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50047
ISMN13:
979-0-50057-047-9
ISBN13:
978-3-85055-047-5
UPC:
800522000478
Weight:
0,48 kg
Pages:
128
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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