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Piano Pieces
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Description
As early as the age of four, Mozart amazed his father with his quickness of mind at the keyboard. The first works are easy dance movements by the five-year-old who developed with extraordinary speed. During his lifetime, he wrote several piano pieces, apart from the sonatas and variations. The pieces from his youth, most of them written down in the music book for Maria Anna Mozart and in the so-called London sketch book, are mostly short dance movements, but already there are lengthy individual movements as well. From the mid-1770s, there are mainly are larger individual works, including fantasias and rondos which can stand up as equals to the sonatas and variations of the Viennese period. Volume 1 contains the pieces from his youth which are entirely suitable for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played piano pieces by young Mozart which, of course, are contained in this volume as well.Volume 1 contains the pieces from Mozart's youth which are ideally suited for elementary teaching; they constitute a varied repertoire of alternatives to the few frequently played piano pieces by young Mozart which, of course, are contained in this volume as well.
Content
2 Ausführungsvorschläge zu KV 15g von Robert D. Levin
Klavierstück Es-Dur KV 32/14
Pimpinella KV 33B
Menuett D-Dur KV 94
Klavierstück F-Dur KV Anh. 206a
Klavierstück bei KV 42 (ergänzt von Robert D. Levin) C-Dur
Klavierstück (Veroneser Allegro) (ergänzt von Robert D. Levin) G-Dur KV 72a
Andantino Es-Dur KV 236
42 Stücke aus dem Londoner Skizzenbuch (KV 15rr ergänzt von Robert D. Levin) KV 15
8 Menuette KV 315g
18 Stücke aus Nannerls Notenbuch (KV 9b ergänzt von Robert D. Levin)
11 Menuette KV 176| 4 Kontretänze (Nr. 3 ergänzt von Robert D. Levin) KV 269b
3 Stücke aus Le gelosie del serraglio (Nr. 3 ergänzt von Robert D. Levin) KV 135a
Menuett C-Dur KV 61g/II
2 Klavierstücke (Nr. 2 ergänzt von Robert D. Levin) KV deest.
12 Menuette KV 103
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Technical Details
More from this series
Standard works of music literature in the original text
The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):
Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.
In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.
