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Pathways to Franz Liszt

A selection of easy to intermediate-level piano pieces by Liszt
Edited from the sources by Sabine Ziegler, Jochen Reutter and Christian Ubber
piano
Product number: UT50282
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

The fact that piano works by Franz Liszt not always require the highest technical standards or are reputed to be reserved for just a few professionals is proven by the present anthology of the Wiener Urtext Edition. It comprises works by Liszt which, starting from an easy to intermediate technical level, encourage to play, rather by harmonic than by virtuoso demands, and still allow to make progress in the playing technique which eventually is of benefit not only to playing Liszt. The selection, ranging from easy pieces such as La cloche sonne or the Consolations Nos. 1 and 2 to more advanced works such as 'Au lac de Wallenstadt' from 'Années de Pèlerinage', also takes the aspect of popularity within the framework of Liszt's piano literature into account.

Content

La cloche sonne
En rêve
Consolation 1
Consolation 2
Etude, op. 1/4
Etude, op. 1/12
Au lac de Wallenstadt (Années de Pèlerinage I/2)
Etude d'exécution transcendante 3 (Paysage)
Resgnazione

More Information

Title:
Pathways to Franz Liszt
A selection of easy to intermediate-level piano pieces by Liszt
Edited from the sources by Sabine Ziegler, Jochen Reutter and Christian Ubber
Fingerings by Pavel Gillov and Christian Ubber
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50282
ISMN13:
979-0-50057-336-4
ISBN13:
978-3-85055-712-2
UPC:
800522002724
Weight:
0,1 kg
Pages:
24
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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