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Moments musicaux

Edited from the original edition. New edition
Urtext
piano
Product number: UT50410
Edition: Urtext
€10.95
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

Die Moments musicaux zählen neben den Impromptus zu den bekanntesten und beliebtesten Klavierkompositionen Franz Schuberts. Die Wiener Urtext Edition legt nun eine Neuausgabe auf dem aktuellsten Stand von Forschung vor. Neu sind auch die Interpretationshinweise von Robert D. Levin, die selbst feinsten Bedeutungsnuancen von Vortragsbezeichnungen nachspüren. Notenbild und Seitenaufteilung sind benutzerfreundlich gestaltet.

Content

Moment musical Nr. 1 C-Dur op. 94,1 D 780
Moment musical Nr. 2 As-Dur op. 94,2 D 780
Moment musical Nr. 3 f-Moll op. 94,3 D 780
Moment musical Nr. 4 cis-Moll op. 94,4 D 780
Moment musical Nr. 5 f-Moll op. 94,5 D 780
Moment musical Nr. 6 As-Dur op. 94,6 D 780

More Information

Title:
Moments musicaux
Edited from the original edition. New edition
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 94
Directory:
D 780
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50410
ISMN13:
979-0-50057-414-9
ISBN13:
978-3-85055-793-1
UPC:
800522003516
Weight:
0,15 kg
Pages:
28
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Moment musicaux

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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