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Ländler-like Dance

New discovery for the Beethoven Year 2020
Urtext
piano
Product number: UT50296
Edition: Urtext Edition
€4.50
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Product Type
Print edition
Title is available

Product Details

Description

A previously unknown and unpublished piano piece by Ludwig van Beethoven was found in early 2020 by the editor-in-chief of the Wiener Urtext Edition doing research in the Vienna Library in Vienna. The work is noted on a double sheet with sketches by Ludwig van Beethoven from 1790–1792. It begins at the end of a line, immediately after a previous sketch, the title missing. The 16-bar piece shows the traits of a country artist in terms of musical character, which is why it was called “Ländischer Dance” based on a term commonly used by Beethoven. The piece appears as the first edition in the Wiener Urtext Edition and is also available in an anthology with all of Beethoven's piano pieces (UT 50295).

More Information

Title:
Ländler-like Dance
New discovery for the Beethoven Year 2020
Urtext
Edition:
Urtext Edition
Level of difficulty:
easy
Publisher/Label:
Wiener Urtext Edition
Year of composition:
1790 - 1792
Key:
F major
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50296
ISMN13:
979-0-50057-424-8
ISBN13:
978-3-85055-803-7
UPC:
800522003615
Weight:
0,04 kg
Pages:
4
Format:
30.3cm x 23.1cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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