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Klaviersonate

Nach den Quellen hrsg. von Christa Landon und Ulrich Leisinger
Fingersätze von Oswald Jonas
piano
Product number: UT50449
Edition: urtext edition
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Product Type
Print edition
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Product Details

Description

The two piano sonatas in G major (Hob. XVI:6) and E major (Hob. XVI:31) occupy a special position in Haydn's sonata oeuvre. The G major sonata is one of the most expressive of the composer's early piano sonatas, while the E major sonata seems to have become a very popular work immediately after its composition. Its moderate technical demands make it a particularly rewarding work for piano lessons. Their fresh musical approach and their richly contrasting expressive variety make them equally worthwhile repertoire pieces for concert performance.

More Information

Title:
Klaviersonate
Nach den Quellen hrsg. von Christa Landon und Ulrich Leisinger
Fingersätze von Oswald Jonas
Hinweise zur Interpretation von Robert D. Levin
Edition:
urtext edition
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Directory:
Hob. XVI:31
Key:
E major
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50449
ISMN13:
979-0-50057-430-9
ISBN13:
978-3-85055-809-9
UPC:
800522003677
Weight:
0,08 kg
Pages:
16
Format:
30.3cm x 23.1cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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