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Italian Concerto

Clavierübung II/1. Edited from first editions and manuscript copies
Urtext
piano
Product number: UT50057
Edition: Urtext
€9.50
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Product Type
Print edition
Title is available

Product Details

Description

In seinem Vorwort skizziert der Herausgeber die Geschichte der italienischen Konzertform bis zum unbegleiteten Solokonzert, als dessen Gipfelwerk Bachs "Concerto nach Italiaenischen Gusto" gelten darf, und erschließt damit zwanglos die Aufführungspraxis dieses für ein "Clavicymbel mit zweyen Manualen" (d.h. für ein großes Cembalo) bestimmten Werkes für das moderne Klavier. Dieser Ausgabe des Werkes, dessen Autograph verschollen ist, liegen der Erstdruck von 1735, die revidierte Neuauflage desselben bzw. Bachs Handexemplar des Druckes, sowie vier Abschriften zugrunde.

Content

Vorwort
Concerto nach Italiaenischen Gusto F-Dur
Kritische Anmerkungen
Detailkommentar 

More Information

Title:
Italian Concerto
Clavierübung II/1. Edited from first editions and manuscript copies
Urtext
Edition:
Urtext
Level of difficulty:
advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 971
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50057
ISMN13:
979-0-50057-057-8
ISBN13:
978-3-85055-057-4
Weight:
0,13 kg
Pages:
28
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Italienisches Konzert

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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