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Impromptus

Edited from the autograph and first edition
Urtext (Neuausgabe)
piano
Product number: UT50409
Edition: Urtext
€11.95
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Product Type
Print edition
Title is available

Product Details

Description

Franz Schubert's Impromptus Op. post 142 (D 935) are among his most frequently played piano works and have found a permanent place in music lessons and in the concert repertoire. The Wiener Urtext Edition now presents a new edition covering the latest musicological research. Closely following Schubert's original manuscript, numerous details have been added to and corrected in the text. This edition now also includes notes on interpretation by Robert D. Levin which look even into the most subtle shades of meaning of expression markings. The score and page layout have been designed in a user-friendly way.

Content

Vorwort
Impromptu Nr. 1 f-Moll op. post. 142,1 D 935
Impromptu Nr. 2 As-Dur op. post. 142,2 D 935
Impromptu Nr. 3 B-Dur op. post. 142,3 D 935
Impromptu Nr. 4 f-Moll op. post. 142,4 D 935
Kritische Anmerkungen

More Information

Title:
Impromptus
Edited from the autograph and first edition
Urtext (Neuausgabe)
Edition:
Urtext
Level of difficulty:
advanced - difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
op. posth. 142
Directory:
D 935
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50409
ISMN13:
979-0-50057-397-5
ISBN13:
978-3-85055-776-4
UPC:
800522003349
Weight:
0,22 kg
Pages:
56
Format:
23cm x 30.5cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Valentina Lisitsa. Schubert Impromptu op. 142 No.3 B flat major

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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