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Handel Variations

Edited from the sources by Johannes Behr
Fingerings and Notes on Interpretation by Peter Roggenkamp
piano
Product number: UT50171
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

Johannes Brahms showed an interest in the music of previous epochs at an early age. In this context, he also came across the variation theme of George Frideric Handel which, in turn, inspired him to write an extensive work of variations for the piano. The new edition of the Wiener Urtext Edition is based on a meticulous comparison of autographs, first edition and personal copies. Brahms's autograph copy served as an essential corrective; subsequent corrections of the composer in the personal copy of Max Kalbeck were taken into account as well. Changes in tempo and indications of expression of Brahms's first version until the first edition allow conclusions about the composer's interpretational ideas; they are analysed in the notes of interpretation. The clear and readily legible notation makes this edition a convenient basis for studying this masterpiece.

Content

Preface
Notes on Interpretation - Handel Variations, op. 24
Critical Notes

More Information

Title:
Handel Variations
Edited from the sources by Johannes Behr
Fingerings and Notes on Interpretation by Peter Roggenkamp
Urtext
Edition:
Urtext
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 24
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50171
ISMN13:
979-0-50057-193-3
ISBN13:
978-3-85055-636-1
UPC:
800522001970
Weight:
0,2 kg
Pages:
48
Format:
23cm x 30.7cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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