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Goldberg Variations

After the 'Neue Bach-Ausgabe'
Urtext
piano
Product number: UT50159
Edition: Urtext
€14.50
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Product Type
Print edition
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Product Details

Description

Die "Aria mit verschiedenen Veränderungen vors Clavicimbal" erhielt nach Johann Nikolaus Forkel, der sich wiederum auf Berichte der älteren Bach-Söhne stützte, ihren gebräuchlichen Titel "Goldberg-Variationen", weil es sich um ein Auftragswerk des russischen Gesandten am Dresdner Hof für dessen Hauscembalisten, Johann Gottlieb Goldberg, gehandelt habe. Diese Darstellung wurde jedoch vielfach angefochten, da Goldberg - seit ca. 1737 Schüler J.S. Bachs - zur vermutlichen Entstehungszeit des Werkes (ca. 1740) erst 12 oder 13 Jahre alt war. Doch dürfte der hochbegabte Goldberg die ausgesprochen anspruchsvollen Variationen dennoch oft gespielt haben.

Content

Preface
Notes on Interpretation
Aria mit verschiedenen Veränderungen BWV 988
Critical Notes

More Information

Title:
Goldberg Variations
After the 'Neue Bach-Ausgabe'
Urtext
Edition:
Urtext
Level of difficulty:
difficult
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 988
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50159
ISMN13:
979-0-50057-132-2
ISBN13:
978-3-85055-567-8
UPC:
800522001277
Weight:
0,24 kg
Pages:
64
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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