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French Overture

Versions in C Minor BWV 831a and B Minor BWV 831
Urtext
piano
Product number: UT50186
Edition: Urtext
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Product Type
Print edition
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Product Details

Description

The so-called 'French overture' BWV 831 along with the 'Italian concerto ' F major BWV 971 form the second part of the Clavier-Übung by Johann Sebastian Bach. To make the difference between the two styles as clear as possible Bach chose the tonality of B minor for the overture and transposed a clavier-suite in C minor, which had been written for connoisseurs only a few years before. The comparison between the two versions becomes particularly interesting in view of the fact that Bach changed many details of the original work when copying it and made performance practice indications more precise.

Content

Französische Ouverture c-Moll BWV 831a
Französische Ouverture h-Moll BWV 831

More Information

Title:
French Overture
Versions in C Minor BWV 831a and B Minor BWV 831
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Directory:
BWV 831/831a
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50186
ISMN13:
979-0-50057-202-2
ISBN13:
978-3-85055-603-3
Weight:
0,24 kg
Pages:
56
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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