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Forest Scenes

Edited from the autograph and first edition
Urtext
piano
Product number: UT50066
Edition: Urtext
€10.95
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Product Type
Print edition
Title is available

Product Details

Description

Der Wald als romantischer Idealraum spielt auch in diesem durch planvolle Anordnung der Tonarten und motivische Beziehungen zwischen den einzelnen Stücken zyklisch geordneten Ganzen eine bedeutende Rolle: rauschende Bäume und Quellen, singende Vögel, einsame Wanderer, Jagd- und Hörnerklang, Dunkel und nächtliche Stille - jene geheimnisvolle Vermischung von Geborgenheit und Bedrohung - sind die immer wiederkehrenden Motive. In der vorliegenden Ausgabe informiert ein ausführliches Vorwort über die Entstehungsgeschichte, die Kritischen Anmerkungen kommentieren außer den Lesarten von Autograph und Erstausgabe auch Schumanns Skizzen zu einzelnen Stücken, Titelentwürfe sowie ursprünglich geplant gewesene literarische Mottos und deren Herkunft.

Content

Eintritt
Jäger auf der Lauer
Einsame Blumen
Verrufene Stelle
Freundliche Landschaft
Herberge
Vogel als Prophet
Jagdlied
Abschied

More Information

Title:
Forest Scenes
Edited from the autograph and first edition
Urtext
Edition:
Urtext
Level of difficulty:
easy - intermediate
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 82
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50066
ISMN13:
979-0-50057-066-0
ISBN13:
978-3-85055-065-9
Weight:
0,16 kg
Pages:
40
Format:
23.1cm x 30.3cm
Binding:
Paperback/Softcover
Manufacturer:
Universal Edition AG
1010 Wien
Austria

Preview/Media Contents

Video:
Waldszenen

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

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