• Joy of Music – Over 250 years of quality, innovation, and tradition
Lieferzeit
2-3 Tage

Fantasy Pieces for Violoncello and Piano

Based on the sources
Urtext
Product number: UT50285
Edition: Urtext
€13.95
Incl. Tax, Excl. Shipping
Product Type
Print edition
Title is available

Product Details

Description

Robert Schumann wrote his Fantasy pieces Op. 73 originally for clarinet and piano. The first edition of Schumann’s Fantasy Pieces Op. 73 published in July 1849 contained not only a  clarinet part but also a violin and a cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition, Schumann’s personal copy and his composition manuscript. The notes on interpretation provide information on metronome indications, bowings, fingerings and more.

• Musical text critically reviewed and compared with the sources
• Cello part edited for practical performance
• Notes on interpretation with comments on metronome indications, bowings, fingerings and more

Content

Fantasiestück I (Zart und mit Ausdruck)
Fantasiestück II (Lebhaft, leicht)
Fantasiestück III (Rasch und mit Feuer)

More Information

Title:
Fantasy Pieces for Violoncello and Piano
Based on the sources
Urtext
Edition:
Urtext
Level of difficulty:
intermediate - advanced
Publisher/Label:
Wiener Urtext Edition
Opus:
op. 73
Series:

Technical Details

Media Type:
Sheet music
Product number:
UT50285
ISMN13:
979-0-50057-347-0
ISBN13:
978-3-85055-726-9
UPC:
800522002861
Weight:
0,22 kg
Pages:
56
Format:
23.1cm x 30.3cm
Binding:
Saddle-wire stitching
Manufacturer:
Universal Edition AG
1010 Wien
Austria

More from this series

Wiener Urtext Edition

Standard works of music literature in the original text

The Wiener Urtext Edition is a scientific critical edition for prac-tice and differs from other editions declared as "original text" in that it contains extensive textual informa-tion in German and English (partly French):

Its preface informs about the work, its genesis and significance for the history of music, about written records and problems of the wording of the text as well as about the respective method applied for editing. Despite their necessary briefness, the critical annotations clearly account for editorial decisions and mention textual divergence going back to the author himself. The music text itself was produced on the basis of an exact checking of all sources by experienced musico-logists. Autographs, first editions, copies and patterns for engravings were used.

In some cases, these materials were analysed completely for the first time. Editions for teaching, studies, concert practice, including comprehensive information about the works by detailed introductions and editorial notes and notes on interpretation. Prepared for practice by interpreters resp. educationalists of international repute.

Reviews

Be the first to review this product.